The Power of Death (1889–90)
by William Holbrook Beard (United States, 1825–1900)

In William Holbrook Beard’s painting The Power of Death, the embodiment of Death is depicted in a powerful struggle, firmly clasping the neck of a fiercely struggling tiger. Unlike typical portrayals of Death’s serene approach to claim a life, this scene mirrors the tiger’s intense turmoil. The foot of Death is triumphantly placed upon an elephant, symbolizing absolute conquest over the colossal creature. In the backdrop, the carcasses of other formidable predators lay defeated, illustrating the inevitable supremacy of Death over all, regardless of strength or ferocity.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Power of Death (1889-90)
by William Holbrook Beard (American, 1825-1900)

The figure of Death tightly grips the neck of a thrashing tiger in its arms. Images of Death calmly walking in and taking a life are common, but here Death has the same dynamic pose as the writhing tiger. Death's foot mounts an elephant, indicating its total victory over the giant beast. Other large predators are slain in the background — Death overcomes even the mightiest in the end.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed inks that are fade resistant. Inner frame is 1.25" deep and made with radiata pine sourced from renewable forests. All canvas prints are wrapped and shipped in fitted packaging.

• Materials: cotton and polyester composite (canvas), pine wood (frame)
• Inner frame made with radiata pine sourced from renewable forests
• Leveling Bumpers Included — For wall protection
• Ready To Hang — Mounting hardware comes attached

Care instructions: If the canvas does gather any dust, you may wipe it off gently with a clean, damp cloth.

The Raven Poe Crew Socks are stitched for those who find beauty in the shadows and comfort in a well‑placed chill. A tribute to Edgar Allan Poe himself, these socks lean fully into literary gloom—perfect for pacing dimly lit corridors, pondering the unknown, or answering a quiet tap at the chamber door. Ask the raven if you should wear anything else, and he'll quoth, "nevermore."

There's a certain elegance to the macabre, and these socks capture it effortlessly. Darkly charming and richly detailed, they bring a touch of poetic melancholy to your everyday routine. Whether you're embracing your inner brooding genius or just appreciate a well‑crafted nod to classic literature, these socks offer a wearable piece of the beautifully eerie.

Crafted with comfort in mind (because even the perpetually haunted deserve soft footing), they're breathable, durable, and built to last through long nights of contemplation. The mirrored artwork ensures each step carries the full dramatic effect—no half‑hearted hauntings here.

Sock Specs

• Material: Combed Cotton/Nylon/Spandex blend for breathability, durability, and stretch
• Comfort: Double terry in heel and toe for extra cushioning
• Detail: 200N thread count for high‑resolution embroidery
• Finish: Smooth seams with no toe bumps
• Weight: 40 grams per sock
• Fit: One size fits most humans (US shoe sizes 6–13), may be snug on wider calves

Not paper‑thin. Not forgettable. Just darkly delightful.

The Respite [Le Répit] (1893–1895)
by Valère Bernard (French, 1860–1936)

Death is seated, skeletal and enormous, cradling a bat at its chest. The bat feeds. Death allows it. This is the respite — a pause in the killing, a moment of something that looks almost like tenderness, offered to a creature that lives in darkness and eats what it can find.

Valère Bernard was a Provençal painter, poet, and printmaker who worked at the intersection of Symbolism and political art. He is little known outside of France, which is a significant oversight: his engraving series Guerro (1893–1895) — the title is Provençal for "war" — is one of the most unsparing anti-war works of the 19th century, produced in the shadow of the Franco-Prussian War and in anticipation of worse to come.

The series is explicitly in the tradition of Francisco Goya's Disasters of War (1810–1820) — Goya's eighty-two etchings documenting the atrocities of the Napoleonic invasion of Spain with a directness that was too disturbing to publish in his lifetime. Bernard inherited Goya's conviction that art could bear witness to what official history preferred to obscure, and his Guerro plates share that same quality of unflinching attention.

Le Répit is the series at its most allegorical: not the battlefield itself, but what war produces and sustains — the creatures that thrive in its aftermath, the brief silences between one catastrophe and the next. The title is ironic. This is not rest. It is only the pause before it starts again.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

Wherever there are humans, there are solitary witches—independent emissaries of magick who love others but adore the companionship of the free and the wild even more. If ever you have yearned for moon-kissed mysteries, kinship with wildflowers, and ecstatic connections with Nature and her cycles, you have felt a witch’s wisdom stirring within. You may dwell deep in a forest or in an apartment within the very heart of a city. Wherever you abide, the whispers of the elements, plants, creatures, and cosmos infuse your world with fascination and freedom.

This enchanting oracle is an illuminating tapestry of insight, comfort, healing, and practical guidance for awakening your charms and senses. Together, the spark of Lucy Cavendish’s prose and Lady Viktoria’s alluring hand-painted imagery evoke profound rememberings to draw back the veil and celebrate your magickal soul. Your new journey begins… Set includes 45 cards and 180-page guidebook.

Lucy Cavendish is a Witch and writer whose works are loved and trusted worldwide. She experienced extra-sensory abilities as a child. With no answers from school or mainstream religion, Lucy set out on a personal quest to understand and develop her gifts. Today she is an exciting, enchanting voice of inspiration noted for her knowledge of sacred rites and sites, magickal history, witchcraft, folklore, alternative spiritual practices and intuitive traditions.

Lady Viktoria is a visual artist working in acrylic paint. She makes her home along the shores of Lake Simcoe in Canada. She is often found in her studio, not just painting but sharing her creative world with her children. Her artwork is inspired by her regular sojourns in nature, the mythopoetic realm, motherhood and her dreams. A thread woven throughout her work is a deep love for magic. She believes it is inherent in all of life, and through her brush, she wishes to bring magic into each and every creation.

The Souls of Acheron (1898)
by Adolf Hirémy-Hirschl (Hungarian, 1860–1933)

Adolf Hirémy-Hirschl was a Hungarian artist renowned for his historical and mythological paintings, particularly those related to ancient Rome. The Souls of Acheron, painted in 1898, is a vivid portrayal of the Greek mythological concept of the afterlife.

In this painting, Hirémy-Hirschl depicts the god Hermes, identifiable by his winged hat and dark blue robes, as he leads the recently deceased to the lower world. The scene is set on the banks of the River Acheron — known in mythology as the river of woe, one of the five rivers of the Greek underworld. The dead are shown pleading with Hermes to allow them to return to the upper world, but he ignores their cries as he strides through the bodies to meet Charon at the shore, who will ferry these souls across the river into the underworld.

Hirémy-Hirschl’s painting captures the essence of this mythology with a dramatic composition that emphasizes the contrast between the divine figure of Hermes and the despairing souls. The use of light and shadow, along with the somber color palette, evokes the emotional weight of the scene and reflects the artist’s skill in conveying narrative through visual art.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Souls of Acheron (1898)
by Adolf Hirémy-Hirschl (Hungarian, 1860–1933)

The dead are everywhere — sprawled across the bank, reaching upward, pressing forward in a mass of pale limbs and open mouths. At the center of the chaos, Hermes moves through them without breaking stride. He wears his winged hat, his dark robes, his expression of complete indifference. He has done this before. He will do it again. Charon is waiting at the water's edge.

Adolf Hirémy-Hirschl was a Hungarian-born Academic painter who spent much of his career in Rome, where he developed a specialty in large-scale mythological and historical subjects rendered with the technical precision and dramatic staging of the late 19th-century Academic tradition. His work is meticulous, monumental, and deeply serious about its sources.

The Souls of Acheron depicts the moment in Greek mythology when the newly dead arrive at the banks of the Acheron — the river of woe, one of the five rivers that bounded the underworld. They cannot cross without Charon, the ferryman, who requires payment. Those who cannot pay, or whose bodies were left unburied, must wait on the near bank for a hundred years before they are allowed to cross. The souls in Hirémy-Hirschl's painting are pleading with Hermes — the psychopomp, the guide of souls — to intercede, to let them return, to do something. He does not stop walking.

The painting is enormous in the original — nearly four meters wide — and the scale is part of the point: the dead are a crowd, not individuals. Their suffering is collective and impersonal, which is exactly how Hermes treats it.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Triumphant [Triunfător] (c. 1916)
by Josef Mandl
Czech, 1874–1933

Josef Mandl was a Czech painter and professor of drawing. His style was characterized by elements of symbolism, reflecting his fascination with the mysterious and the subconscious. Mandl's paintings often conveyed emotional depth and explored the interplay between reality and imagination.

Triunfător, the enigmatic harbinger of fate, dances on the precipice between realms. Unlike the somber specter we often envision, this portrayal defies convention—a paradox in brushstrokes.

Here we see the smoldering remnants of a battlefield, where screams have dissolved into ashen air, Death is not the reaper of dread; he is the weaver of endings. Kneeling by a murky watering hole, Death immerses his skeletal hands. Beside him rests the scythe, its blade dulled by ceaseless harvest. Death cleanses it—a ritual of absolution.

Triunfător is not an omen of dread, but a sentinel of cosmic balance. His work here, seemingly done, leaves us pondering: Is he the harbinger or the harbored?

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Triumphant [Triunfátor] (c. 1916)
by Josef Mandl (Czech, 1874–1933)

Death is kneeling at a watering hole, washing his scythe. The battlefield smolders behind him. He is not dramatic about it. He is doing maintenance.

Josef Mandl was a Czech painter and drawing professor whose work sat at the intersection of Symbolism and the darker currents of early 20th-century Central European art. Triunfátor — the title is Czech for "the triumphant one" — was painted around 1916, in the middle of the First World War, when the idea of Death as a figure of cosmic drama had been replaced, for much of Europe, by something far more industrial and impersonal.

What Mandl gives us instead is almost domestic: a skeleton at the water's edge, scythe in hand, cleaning up after work. The blade has been used. The water is presumably not clean. There is no grandeur in the posture, no sweep of a dark cloak, no dramatic gesture toward the horizon. He is simply doing what comes next after a long day.

The title is ironic, or perhaps not — depending on how you read triumph. He has won, again, as he always does. Now he cleans his tools. Tomorrow he will use them again.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Vampire Queen [Marie Schleinzer in Bat Costume] (1896)
Photograph by Atelier Adele Studio (Austria, 1862–1905)

Austrian stage actress Marie Schleinzer in costume for the ballet Around Vienna (“Rund um Wien”), in which Schleinzer plays the allegorical force of evil. This is one of a series of photographs published in the Austrian photographic journal Photographische Correspondenz.

The photography studio was owned by Adele Perlmutter-Heilperin and her two brothers, Max and William Perlmutter, who founded Atelier Adele in 1862. Adele was the first and only female “k.u.k. Hofphotograph” of the Austro-Hungarian monarchy in Vienna and was famous for her ability to photograph women.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Vampire Queen (Marie Schleinzer in Bat Costume) (1896)
Photograph by Atelier Adele Studio (Austrian, 1862–1905)

She stands in full theatrical costume — bat wings spread, dark fabric draped, her expression composed and entirely aware of the camera. This is not a candid. This is a performance, and she knows exactly what she is doing.

The subject is Marie Schleinzer, an Austrian stage actress photographed in costume for the ballet Rund um Wien (Around Vienna), in which she played the allegorical force of evil. The image was published in Photographische Correspondenz, the leading Austrian photographic journal of the period, as part of a series documenting theatrical costume and performance.

The studio behind the lens was Atelier Adele, founded in Vienna in 1862 by Adele Perlmutter-Heilperin and her brothers Max and William Perlmutter. Adele became the first — and only — female k.u.k. Hofphotograph: imperial and royal court photographer of the Austro-Hungarian monarchy. In a field dominated entirely by men, she built a studio renowned specifically for its ability to photograph women — to capture presence, theatricality, and personality rather than simply record a likeness.

The result is an image that is simultaneously a historical document, a theatrical portrait, and something that looks, 130 years later, like it was made for exactly this wall.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The White Owl (1856)
by William James Webbe (English, 1830–1904)

The White Owl is a captivating piece that exemplifies the artist’s meticulous attention to detail and his importance within the Pre-Raphaelite movement. Painted in 1856, the artwork features a solitary white owl resting on its perch within a belfry, a setting that evokes a sense of solitude and contemplation. The owl’s feathers are rendered with exquisite detail, showcasing Webbe’s skill in capturing the texture and softness characteristic of an owl’s plumage.

The painting’s title is accompanied by the quote “alone and warming his five wits, the white owl in his belfry sits” — further emphasizing the owl’s isolation and introspective mood. The artwork stands out not only for its technical prowess but also for its ability to convey a deeper narrative through the simple yet profound subject of a white owl in quietude.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The White Owl (1856)
by William James Webbe (English, 1830–1904)

"Alone and warming his five wits,
the white owl in the belfry sits."
— Alfred Lord Tennyson, Song — The Owl (1830)

A barn owl perches in the stone arch of a belfry, white against the dark. He is not hunting. He is not sleeping. He is simply there, in the way that owls are — completely still, completely present, entirely indifferent to being observed.

William James Webbe was a British painter associated with the Pre-Raphaelite Brotherhood, known for his meticulous, close-observed studies of birds and animals rendered with the movement's characteristic attention to natural detail. He exhibited at the Royal Academy throughout the 1850s and 1860s, and his animal paintings were admired for their combination of scientific accuracy and painterly warmth.

The White Owl was exhibited with the Tennyson lines as its title — a common Pre-Raphaelite practice of anchoring a painting to a literary source. The poem, written when Tennyson was twenty-one, is a short lyric about solitude and the particular quality of stillness that belongs to owls and to dusk. Webbe's painting earns the quotation: the owl in the belfry has exactly the quality Tennyson describes — self-contained, unhurried, warming his five wits in the dark.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Witch (Night Piece) (1626)
by Jan van de Velde (Dutch, 1620-1662)

Step into a world of dark enchantment with The Witch (Night Piece) Matte Poster. This mesmerizing piece captures a nocturnal scene where a sorceress concocts her evil brew amidst a company of bizarre beasts. She stands within a "magic circle" etched into the ground—a supernaturally consecrated space for witchcraft.

The sorceress overturns a horn into her cauldron, which is engulfed in billowing flames. Mixing with the powder are two streams of ash that spew forth from pipes held by a somersaulting demon on the left. The swirling, decorative composition and the variety of grotesque creatures, making both knowing and silly faces at the viewer, add elements of whimsy and farce to this ostensibly serious, occult subject.

Perfect for those who appreciate the mysterious and the macabre, this matte poster is an evocative addition to any art collection. Its intricate details and supernatural elements make it a standout piece that invites closer inspection and admiration.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Witch (Night Piece) (1626)
by Jan van de Velde II (Dutch, 1593–1641)

A nocturnal scene of dark enchantment: a sorceress stands within a magic circle etched into the ground — a supernaturally consecrated space — as she overturns a horn into a cauldron engulfed in billowing flames. Two streams of ash spew from pipes held by a somersaulting demon at her left. Around her, grotesque creatures make knowing and silly faces at the viewer, threading whimsy and farce through an ostensibly serious occult subject.

Van de Velde's swirling, decorative composition is a masterwork of Dutch Golden Age printmaking — equally at home in a witch's study or a darkly curated living room.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Witching Hour Crew Socks arrive with all the unapologetic energy of a woman simply trying to enjoy her hobbies—heaven forbid. These socks celebrate the sacred art of candle‑lit evenings, well‑worn books, and slipping out into the night for “a little reading,” which may or may not involve communing with forces beyond mortal comprehension.

They carry that perfect blend of sly humor and witchy charm: part rebellion, part ritual, entirely committed to comfort. Whether you’re tending your altar, stirring something suspicious in a cauldron‑adjacent vessel, or just enjoying the peace of being left alone, these socks are here to support your nocturnal pursuits with cozy, magical intent.

Soft, durable, and designed with high‑resolution detail, they’re crafted for everyday enchantment—no coven membership required.

Sock Specs

• Material: Combed Cotton/Nylon/Spandex blend for breathability, durability, and stretch
• Comfort: Double terry in heel and toe for extra cushioning
• Detail: 200N thread count for high‑resolution embroidery
• Finish: Smooth seams with no toe bumps
• Weight: 40 grams per sock
• Fit: One size fits most humans (US shoe sizes 6–13), may be snug on wider calves

Whether you’re practicing your craft, plotting your next midnight adventure, or simply embracing your inner witch, The Witching Hour Crew Socks are ready to keep you comfortable—and just a little bit dangerous.

A quiet nod to existential dread.

Add a touch of subtle chaos to your wardrobe with the Black Coffee Edition of our officially licensed This is Fine ankle socks, featuring KC Green's iconic Question Hound. From the outside, they appear understated—just a whisper of darkness. But you know the full story.

This split-design places the contemplative Question Hound on the right sock, while his infamous coffee mug and table complete the scene on the left. It's a wearable moment of dissociation, perfect for those who prefer their existential crises with a splash of caffeine.

Sock Specs:

• Combed Cotton/Nylon/Spandex blend for breathability, durability, and stretch
• Double terry cushioning in heel and toe for comfort and longevity
• 200 needle thread count for crisp, detailed artwork
• Heel pillow to reduce slipping and enhance fit
• Smooth seams with no toe bumps for all-day comfort
• 40 gram weight for a balanced, snug feel
• One size fits most humans (US Women's 6–13 / Men's 4.5–12)

For those who find solace in absurdity, these socks are a quiet rebellion.

When the warm, fiery hues of Question Hound's iconic meltdown feel a little too cheerful, the Noir Edition steps in to match the darkness in your cynical heart. Rendered in grayscale gloom, these officially licensed socks from KC Green offer a more accurate depiction of your internal monologue: smoldering, stylish, and deeply unbothered by the chaos. Is it ever fine, really? Is it?

Perfect for pairing with black boots, bleak outlooks, and your favorite coping mechanisms.

Sock Specs

• Material: Combed Cotton/Nylon/Spandex blend for breathability, durability, and stretch
• Fit: One size fits most humans (Adult sizes 6–13), may be snug on wider calves
• Comfort: Double terry in heel and toe for extra cushioning
• Detail: 200N thread count for crisp embroidery
• Finish: Smooth seams, no toe bumps
• Weight: 40 grams per sock
• Style: Crew sock, breathable for year-round wear
• Design: Mirrored artwork on each foot

Because sometimes the flames are metaphorical. And sometimes they're not.

A black serpent, mouth open, coiled through a tangle of pink roses. Beauty and danger in the same breath — the thorns and the fangs equally sharp. This pin is for those who find the two inseparable. Pin it to a jacket, tote, or collar and wear the tension well.

• Hard enamel with gloss finish
• Butterfly clasp backing
• Approximately 1¼" tall

When your body feels like it's brewing its own personal storm, Thunder Cunt is the blend that shows up with unapologetic power. Built on a bold yerba mate base, this mix brings together a lineup of botanicals chosen for their grounding, comforting, and energizing qualities. It's crafted for days when you feel crampy, cloudy, bloated, or just plain over it — the moments when you need something strong, steady, and a little bit wild.

Smooth, earthy, and deeply satisfying, this blend is your storm‑calming companion. Whether you're riding out a rough cycle, a rough mood, or a rough day, Thunder C*nt is here to help you reclaim your fire.

Honor your wild strength
Your body is a fierce force
When cramps strike like lightning and
you're feeling bloated, drained, and stormy
Thunder C*nt to the rescue

Details

• Net wt: 2 oz (56 g), approx. 20 cups
• Caffeinated
• Organic ingredients
• Handcrafted in the Sierra Mountains
• Packaged in recycled materials

Ingredients

Organic yerba mate, organic peppermint, organic raspberry leaf, organic chamomile, organic ginger, organic cramp bark, organic lemon balm (melissa), organic chasteberry (vitex), organic yarrow flower

Important Note

Statements from ModestMix regarding herbal and natural teas have not been evaluated by the FDA. These teas are not intended to diagnose, treat, cure, or prevent any disease. Always read product labels carefully and consult your healthcare provider with any concerns or medical conditions.

Trio of Women Dancing (1918)
Photograph from Dancing with Helen Moller

Bring the grace and enduring beauty of classical movement into your space with Trio of Women Dancing, a striking fine art poster drawn from Dancing with Helen Moller. Originally published as one of 43 illustrations celebrating classical dance, this evocative image reflects Moller's vision of movement inspired by the ideals of ancient Greece and adapted for the modern world.

Accompanied by Moller's powerful reflection on the contrast between classical harmony and human struggle, the artwork celebrates a timeless ideal of balance, beauty, and serenity. The three dancers move in elegant unity, embodying the calm strength and elevated spirit that Moller admired in Greek art and philosophy.

Printed on premium matte paper, this museum-inspired reproduction offers rich detail and a soft, glare-free finish, making it a sophisticated addition to living rooms, studios, libraries, offices, or creative spaces. Perfect for lovers of dance, classical art, and vintage illustration, this piece serves as both a captivating visual statement and a tribute to the enduring pursuit of beauty through movement.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

Trio of Women Dancing (1918)
Photograph from Dancing with Helen Moller

Three women in Grecian-style drapery move together outdoors, arms extended, bodies in motion. The photograph is one of 43 plates in Dancing with Helen Moller (1918), a book that is part manifesto, part instruction manual, part portrait of a movement — in both senses of the word.

Helen Moller was an American dancer and teacher who studied under Isadora Duncan and became one of the leading figures in the early interpretive dance movement in the United States. Where ballet demanded rigid technique and formal training, interpretive dance — as Moller and Duncan practiced it — emphasized natural movement, Greek ideals of bodily freedom, and the idea that dance was not a performance skill but a form of living. The book describes her philosophy as "formed upon the classic Greek model, and adapted to meet the aesthetic and hygienic needs of today" — a phrase that sounds quaint now but was, in 1918, a genuinely radical claim about what women's bodies were for.

The image is captioned with a passage that gives the whole project its stakes:

"The Classic Ideal — and Ours world! Not even Michelangelo could grasp it. His vision is of man burdened and disquiet, oppressed by mysteries which he cannot penetrate, writhing in conflict with forces too great for his control. In the sculptures of the Greeks, on the other hand, man is calm and untroubled — and the gods, we must remember, are but man exalted and made immortal."

Three women, outdoors, in motion, two years before American women could vote.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

Trochilidae [Hummingbirds] (1904)
plate 99 from Kunstformen der Natur by Ernst Haeckel

Ernst Haeckel (1834-1919) was a German zoologist and naturalist who described and named thousands of new species and created many terms used today in biology. His work of over one hundred illustrations of animals and sea creatures, Kunstformen der Natur ("Art forms in Nature"), would go on to influence the Art Nouveau artistic movement.

This plate, Trochilidae, depicts many species of Hummingbirds, including the Ruby-Throated Hummingbird, Horned Sungem, Crimson Topaz, Red-tailed Comet, Tufted Coquette, Sword-billed Hummingbird, Buff-tailed Sicklebill, Dot-eared Coquette, White-vented Violetear, Hooded Visorbearer, Juan Fernandez Firecrown, and the Booted Racket-tail.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

Trochilidae [Hummingbirds] (1904)
Plate 99 from Kunstformen der Natur by Ernst Haeckel (German, 1834–1919)

Dozens of hummingbirds arranged across the plate in a radiating composition — wings spread, beaks extended, plumage rendered in the jewel tones that made Haeckel's illustrations famous: iridescent greens, deep crimsons, electric blues, the burnished copper of the Horned Sungem. Each species is distinct. Each is also part of a larger pattern that is more decorative than scientific, more Art Nouveau than field guide.

Ernst Haeckel was a German zoologist, naturalist, and artist who described and named thousands of new species over the course of his career, and coined many of the terms still used in biology today. His Kunstformen der Natur (Art Forms in Nature), published in ten installments between 1899 and 1904, collected 100 lithographic plates depicting the natural world with a precision and compositional ambition that had never been attempted at that scale. The book was intended to demonstrate that nature itself was the supreme designer — that the forms found in biology were not merely functional but beautiful, and that art and science were not separate disciplines but expressions of the same underlying order.

The plates became one of the most influential visual documents of the early 20th century, shaping the aesthetic vocabulary of Art Nouveau and inspiring architects, designers, and artists across Europe. Plate 99, Trochilidae, is among the most celebrated — a plate that works as taxonomy, as decoration, and as an argument about what the natural world looks like when someone takes the time to actually look.

Species depicted include: Ruby-Throated Hummingbird, Horned Sungem, Crimson Topaz, Red-tailed Comet, Tufted Coquette, Sword-billed Hummingbird, Buff-tailed Sicklebill, Dot-eared Coquette, White-vented Violetear, Hooded Visorbearer, Juan Fernandez Firecrown, and the Booted Racket-tail.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

A whisper of wind. A trace of flight. The Two Feather Adjustable Silver Cuff Bracelet captures the quiet elegance of nature with twin feather motifs that wrap gently around the wrist. Symbolizing freedom, resilience, and the beauty of untamed paths, this cuff is a wearable reminder to move lightly and live boldly.

Crafted from polished silver-toned metal and designed for comfort, the bracelet features an open-ended, adjustable fit that suits a wide range of wrist sizes. Its delicate feather detailing offers subtle texture and timeless charm, making it a versatile piece for everyday wear or meaningful gifting. 

Specs & Features

• Material: Silver-plated alloy with hand-finished feather detailing
• Fit: Adjustable open cuff design for a custom fit
• Style: Unisex, suitable for all genders
• Symbolism: Feathers represent freedom, nature, and spiritual connection
• Use: Everyday wear, nature-inspired fashion, or thoughtful gifting
• Finish: Smooth, lightweight, and comfortable for all-day wear

Perfect for wanderers, dreamers, and anyone who finds meaning in the wild.

Two heads, one sun, infinite implications. This enamel pin features a celestial double-headed black serpent coiled around a radiant sun — ancient symbolism rendered in hard enamel and ready to pin to your jacket. The kind of piece that makes people look twice and ask questions you may or may not answer.

• Hard enamel with gloss finish
• Butterfly clasp backing
• Approximately 1¼" tall

Add a touch of celestial charm to your look with these enchanting enamel earrings, where myth and meaning meet in miniature. Each earring features a glossy black serpent with a body adorned in moons and stars, coiled gracefully around a radiant white sun detailed in gold. The serpent's two heads mirror each other, creating a balanced and symbolic silhouette.

Crafted from high-quality metal and finished with glossy enamel, these earrings are fitted with hypoallergenic, nickel-free, and lead-free gold-plated ear hooks for comfortable wear on sensitive skin.

The design carries layered symbolism:

• The serpent represents rebirth, life, and transformation
• The sun symbolizes energy, vitality, and illumination
• The two heads reflect the dual nature of existence, such as light and dark, order and chaos, or the connection between the earthly and the divine

Together, they form a powerful motif of unity and contrast, inviting reflection and renewal. These earrings are more than an accessory—they are a cosmic story told in gold and enamel.

Communal acknowledgement of allegiance to the lord of Carpathia, and forever bound, body and soul, to his service.

Embrace the profound connection you share with your partner through the exquisite 'Undying Homage' two-piece coffin and skeleton couple's necklace. This isn't just jewelry; it's a celebration of your love that intertwines life, death, and intimacy in a truly unique design. The skeleton nestles peacefully inside the coffin and can be worn together, or each piece can be worn independently. The inscription "Undying Homage" serves as a testament to your eternal connection, no matter how you wear it!

Make a timeless statement that resonates with the spirit of undying love. Gift the 'Undying Homage' couple's necklace and let it tell your story!

Designed and handmade in England, this set incorporates detailed brass work and fine English pewter, ensuring it is lead, cadmium, and nickel compliant. The pendant measures approximately 2.64" (6.71 cm) in height, 2.56" (6.50 cm) in width, and 0.43" (1.09 cm) in depth, with a weight of 1.59 oz (45 g). It hangs from an 18" (45.72 cm) chain, ensuring a perfect fit.