Geraint and Enid Ride Away (1868)
by Gustave Dore

This picture illustrates the lines from Tennyson's "Enid" idyll (later "Geraint and Enid")

Mounted, and reached a hand, and on his foot
She set her own and climbed; he turned his face
And kissed her climbing, and she cast her arms
About him, and at once they rode away.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Swan, Rush and Iris (1875)
by Walter Crane

This is one of Walter Crane's earliest designs for wallpaper, created in 1875. The black outlines and solid blocks of color of this design suggest a study of Greek vase painting. A slightly amended version of this design was produced as a wallpaper two years later by Jeffrey & Co.

Walter Crane developed his figurative style through illustrating books, for which he was most famous. In his illustrated children's books of the 1870s, the clever drawings and brilliant color sense made his work popular with children and adults alike, and they are still in print 130 years later. Typically, Crane's wallpaper designs were figurative, and often narrative, drawing on Greek myth, fairy tales and nursery rhymes. This design has a formality based on heraldic design combined with a naturalistic and pictorial theme. It is typical of Crane's style in the 1870s.

Square Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with 3/4" thick wood frame and glued wood core stretcher bars.

All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

1927 Solar Eclipse Photograph (1927)
by Unknown

This photograph of an eclipse in 1927 is an excellent example of early astronomy photography and makes a great minimalist wall art piece.

Square Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with 3/4" thick wood frame and glued wood core stretcher bars.

All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Mother Mushroom and her Children (1900)
by Edward Okuń

Edward Okuń was a painter, draughtsman and illustrator, representative of the Symbolist movement in the art of the Young Poland period. He was born in Wólka Zerzeńska, and he died in 1945 in Skierniewice.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Still Life with a Skull and a Writing Quill
by Pieter Claesz (1628, Dutch)

In this still life, close observation and realistic detail operate in tension with explicit symbolism. The toppled glass, gap-toothed skull, and guttering wick of an oil lamp all serve as stark symbols of life’s brevity. Working with a limited palette of grays and browns, Claesz carefully describes the surfaces of these unsettling objects. By arranging them on a pitted stone ledge, the artist connects the picture’s space to our own, making the message all the more compelling.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Square Framed Art Print

Semi-gloss paper framed in 1 inch 100% real wood frames with a matte enamel finish. Framed prints have an archival, shatterproof plexiglass. Framed paper prints offer you a professional finish ready to elevate any space.

• Ready To Hang - Wire hanger attached
• Professionaly finished back
• Rubber Bumpers
• Sizes Reference the Print Inside the Frame
• Available in Black, White & Espresso colors

Artwork inspired by the cover of a book called "HYPNOTISM and SPIRITUALISM: How to Hypnotize; Mesmerism, Mind Reading, Magnetic Healing & Personal Magnetism" published in the 1930s by Johnson Smith & Company of Detroit Michigan.

Rectangle Framed Art Print

Semi-gloss paper framed in 1 inch 100% real wood frames with a matte enamel finish. Framed prints have an archival, shatterproof plexiglass. Framed paper prints offer you a professional finish ready to elevate any space.

• Ready To Hang - Wire hanger attached
• Professionaly finished back
• Rubber Bumpers
• Sizes Reference the Print Inside the Frame
• Available in Black, White & Espresso colors

Rectangle Framed Art Print

Semi-gloss paper framed in 1 inch 100% real wood frames with a matte enamel finish. Framed prints have an archival, shatterproof plexiglass. Framed paper prints offer you a professional finish ready to elevate any space.

• Ready To Hang - Wire hanger attached
• Professionaly finished back
• Rubber Bumpers
• Sizes Reference the Print Inside the Frame
• Available in Black, White & Espresso colors

This nocturnal scene depicts a bare-breasted sorceress concocting her evil brew in the company of bizarre beasts. She stands within a "magic circle" scratched into the ground, the supernaturally consecrated space for witchcraft-a likely inspiration for the circular forms of Rosa's paintings. She overturns a horn into her cauldron engulfed in billowing flames; mixing with the powder are two streams of ash that spew forth from pipes held in the anus of a somersaulting demon at left. The swirling, decorative composition and the variety of grotesque creatures making knowing and silly faces at the viewer add elements of whimsy and farce to the ostensibly serious, occult subject.  

Rectangle Framed Art Print

• Ready To Hang - Wire hanger attached
• Professionally finished back
• Rubber Bumpers
• Sizes Reference the Print Inside the Frame
• Available in Black, White & Espresso colors

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Witches' Flight (Vuelo de Brujas) (1798)
Painting by Francisco Goya (Spanish, 1746-1828)

At center point are three semi-nude witches wearing penitential coroza bearing aloft a writhing nude figure, their mouths close to their victim, as if to devour him or suck his blood. Below, two figures in peasants' garb recoil from the spectacle: one has thrown himself to the ground covering his ears, the other attempts to escape by covering himself with a blanket, making the fig hand gesture to ward off the evil eye. Finally, a donkey emerges on the right, seemingly oblivious to the rest of the scene.

The general scholarly consensus is that the painting represents a rationalist critique of superstition and ignorance, particularly in religious matters: the witches' corozas are not only emblematic of the violence of the Spanish Inquisition (the upward flames indicate that they have been condemned as unrepentant heretics and will be burned at the stake), but are also reminiscent of episcopal mitres, bearing the characteristic double points. The accusations of religious tribunals are thus reflected back on themselves, whose actions are implicitly equated with superstition and ritualized sacrifice. The bystanders can then be understood either as appalled but unable to do anything or willfully ignorant and unwilling to intervene.

The donkey, finally, is the traditional symbol of ignorance.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Kaloma (1914)
Photograph by Pastime Novelty Co. of New York

An iconic American photograph, at once time purported to have been of Josie Earp, wife of Wyatt Earp. In the 1960s, Kaloma was revived as a risque and nostalgic image, appearing in many hippie publications and concert poster art.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Śmierć (1902)
by Jacek Malczewski

Jacek Malczewski is one of the most important Polish symbolist painters. Malczewski is associated with the Young Poland movement (Młoda Polska), a modernist period in Polish culture following more than a century of Partitions of Poland. Therefore Polish martyrdom, romantic ideas of independence, local folklore, and death were recurrent motifs in Malczewski’s oeuvre.

This hopeful message certainly bears some religious undertones. Look at this old man: he seems to be ready to die, his head turned towards death and his neck tense. His hands clutched in prayer, his fingers fiddling with a small medallion with Virgin Mary, something that many Polish Catholics wear even today.
Death looks almost like a Greek goddess. However, it’s difficult to understand her facial expression: is she feeling pity for this old man? Or is she just focused on doing her job?

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

The Satyr Family (1505)
Engraving by Albrecht Dürer (German, 1471-1528)

Dürer’s interest in mythological imagery stemmed from his familiarity with the Italian Renaissance. In this ambiguous engraving, Dürer depicted a satyr - a hybrid woodland creature typically associated with lust - in the role of father and family man. Instead of carousing in the forest, he plays music to his newborn child. Dürer’s play on the mother and child theme and the satyr’s unconventional fatherly behavior draws attention to a primal and simplified way of life. In contrast though, the group rests within an inhospitable dense forest where tops of trees are splintered and branches are dead, implying that the figures’ relaxed instinctual approach toward procreation and sexuality remains outside the bounds of Christian virtue.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

The Four Witches (1497)
Engraving by Albrecht Dürer (German, 1471-1528)

Dating from early in Albrecht Dürer’s career, this engraving cannot be tied to a specific narrative but may allude to the Greek goddess of the underworld, Hecate. Four nude women gather under an orb with a skull at their feet, while a ghoul emerges to their left. Three of the women could represent Hecate, who was often depicted with three faces or bodies; the fourth may be Diana, Hecate’s counterpart on earth. The nudity and allusions to black magic suggest mischief and the realm of witches. Prints offered a new medium for exploring subject matter that was deemed inappropriate in other media, such as painting.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

The Lady of Shalott (1888)
Painting by John William Waterhouse (English, 1849-1917)

The Lady of Shalott is a poem by Alfred Tennyson, written 50 years before Waterhouse painted this picture. The Lady of Shalott is cursed and forced to stay in a tower. She is only allowed to look at the world through a reflection in the mirror. One day, she sees a knight, Sir Lancelot, and falls in love with him. She ignores the curse and leaves the tower to find him, which results in her death. Lady of Shalott’s story can be read as a warning about female desire. Victorian society had strict rules and expectations for women that defined ‘acceptable’ behavior.

11x17 Matte Poster

Printed with Dye/Pigment Reactive Ink On archival matte paper Shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

Skeletons, also known as Allegory of Death and Fame (1518)
by Agostino Veneziano (Italian, 1490-1540)

Although for centuries scholars have attempted to understand the allegorical meaning of this print, 16th-century artist and author Giorgio Vasari described it simply as “an anatomy of desiccated nudes and of bones of the dead.” A central figure of winged Death stands over an interred skeleton, surrounded by a variety of skeletal and living human figures who appear to debate the fate of the soul. At far left is a “marasmic” man, a type of sun-dried body used by anatomists to study the muscles without removing the skin. Rosso Fiorentino, who designed the composition of this print to be engraved by Agostino Veneziano, was a Florentine contemporary of Michelangelo who planned a book on anatomy that was never published.

11x17 Matte Poster

Printed with dye/pigment reactive ink on archival matte paper shipped in heavy duty poster tube Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.

• Printed with Dye/Pigment Reactive Ink
• On archival matte paper
• Shipped in heavy duty poster tube
• Heavy weight (230 gsm), thick base (9.5 mil), and an instant-dry coating that resists fingerprints and smudging.