Tamara and the Demon (1889)
by Konstantin Makovsky
Russian, 1839-1915 

Konstantin Makovsky was an influential Russian painter, affiliated with the “Peredvizhniki” or “Wanderers.” He was known for his historical paintings that often presented an idealized view of Russian life in previous centuries. 

“Tamara and the Demon” is a captivating painting that delves into the themes of virtue and evil, drawing inspiration from Mikhail Lermontov’s poem “Demon”, which tells a story of a fallen angel who wanders the earth filled with bitterness and loneliness. Set in the Caucasus Mountains, the Demon encounters Tamara, a beautiful Georgian princess, and becomes infatuated with her. The Demon indirectly causes the death of Tamara’s betrothed and he eventually reveals himself to her. Tamara is drawn to him and succumbs to his embrace, which proves fatal. In the end, Tamara’s soul ascends to heaven, while the Demon is left alone once again, despairing and without hope. The poem is a complex exploration of themes such as the nature of evil, redemption, and the possibility of love and compassion for even the most damned beings.

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• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

Tears (1898)
by Giuseppe Mentessi
Italian, 1857-1931 

Giuseppe Mentessi was an Italian painter who is often associated with the Symbolism and Realism art movements. Mentessi faced the tragedy of his father’s death early in life but managed to pursue his passion for art with the support of his mother. 

Mentessi’s work often addressed socio-economic issues and the subject of motherhood. He was known for his scenes that evoke strong emotions, such as poverty, hunger, and anti-militarism, especially during the First World War. His preferred medium was pastel, which he used to create delicate yet impactful works.

The painting “Tears,” created in 1898, is a poignant example of Mentessi’s ability to convey deep emotion through his art. The composition is unique, focusing on two hands clenched by irons trying to shake a weeping head, devoid of any physiognomic connotation. This choice emphasizes the drama and tension of the moment. The use of delicate chromatism, with shades of browns illuminated by blues and whites, adds to the emotional intensity of the piece. The painting is a testament to Mentessi’s skill in expressing feeling and narrative through his art, making him a significant figure in the transition from Realism to Symbolism in Italian painting.

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• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

"The Ancient Ones" Handmade Vegan Bar Soap exudes an air of timeless sophistication and intrigue. Crafted with a unique blend of salt and clay, this soap offers a luxurious cleanse while its complex fragrance unfolds layers of pineapple, juniper berries, lavender, neroli, coriander, and ginger. Hints of violet, cactus, sage, bergamot, and cardamom are seamlessly woven with deep notes of sandalwood, amber, musk, vetiver, cedar, mahogany, and pepper. The result is a scent that is mysterious, refined, and subtly masculine—an ode to elegance for all skin types. This soap is great for face or body, with a rich lather in a long-lasting, dense bar. Approximately 5 oz.

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights:
• Sustainably-Sourced Palm Oil
• Vegan
• Fair Trade Ingredients

Full ingredients:
Saponified Oils (Olive Oil, Organic Palm Oil, Organic Coconut Oil, Organic Shea Butter), Fragrance, Kaolin Clay, Salt, Chromium Oxide, Ultramarines

La Femme Chauve-Souris [The Bat Woman] (1890)
Albert Joseph Pénot (France, 1862-1930)

Albert Joseph Pénot was a French painter known for female forms and landscapes. Today, he is more popularly and specifically recognized for a subset of paintings centering on women of darker, more macabre themes.

Pénot was concerned first and foremost with accurate portrayals of women. Singular female forms were the implicit focus of his work, whereas the worlds surrounding his characters are seldom realized beyond misty atmospheres and patches of shadow and light. Environments are incidental and are typically shrouded in haze, giving the figures themselves specific priority.

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• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

"The Changeling Prince" Handmade Vegan Bar Soap evokes the transformative magic of late summer evenings, where warmth merges with the whispers of the woods. Its invigorating blend of lemongrass and orange sweeps your senses through sunlit fields, while notes of sweet petitgrain, cedar, and sage drift on the breeze, as if carried by a mysterious and ever-shifting presence. This vegan soap brings an earthy sophistication to your skincare, offering a cleansing experience as enchanting as its name. This soap is great for face or body, with a rich lather in a long-lasting, dense bar. Approximately 5 oz.

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights:
• Sustainably-Sourced Palm Oil
• Vegan
• All Natural
• Fair Trade Ingredients

Full ingredients:
Saponified Oils (Organic Palm Oil, Organic Coconut Oil, Organic Sunflower Oil, Organic Extra Virgin Olive Oil), Natural Fragrance Oil Blend (Lemongrass Essential Oil, Cedarwood Essential Oil, Natural Fragrance, Orange Essential Oil, Clary Sage Essential Oil), Rosehip Powder

The Crystal Ball (1902)
by John William Waterhouse (England, 1849-1917)

The model peers into the ball, leaving the viewer to imagine what she might be seeing and thinking at that point. Her appearance suggests it is pure and gentle, though the skull that sits at the back of the scene offers a more sinister touch of symbolism. 

It is the touches of architecture at the back of the room that give the painting an impression of the Renaissance, with a style differing from the Gothic approach that was found in many paintings at this time. The somewhat friendlier construction of vertical and horizontal lines of the Italian papal states of centuries before feels more suited to Waterhouse's artistic style.

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• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

Safo (1881)
by Miguel Carbonell Selva (Spain, 1854-1896)

In a painting that goes by the title Safo, we see the figure of Sappho at the moment when she is about to leap to her death, plunging into the sea from the heights of Leukas.

Sappho was a famous Greek poet from the island of Lesbos who lived from c. 630 – c. 570 BC. She is sometimes called the ‘Tenth Muse’ because her abilities to play music and write poetry were legendary. An intriguing story about her death has been circulating for millennia, yet there is no evidence as to its veracity. The story holds that Sappho threw herself off the cliffs of the Greek island Leucadia because of her love for Phaon, a ferryman.

Some scholars believe that Sappho was a lesbian and many of Sappho’s poems can be interpreted as homoerotic. Indeed, the adjective ‘sapphic’ can refer to a certain type of lyric poetry or to lesbianism (ie: a sapphic relationship).

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• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

"The Decaying Light" Handmade Vegan Bar Soap embodies the quiet allure of fading warmth and shadows. Its unique blend of eucalyptus, lavender, and fir needle creates a fresh, herbaceous beginning, balanced by the sweet and spicy depths of clove and cinnamon. Enhanced with poppy seeds for gentle exfoliation and spirulina for its natural hue, this vegan soap offers a sensory experience that is as invigorating as it is mysterious. This soap is great for face or body, with a rich lather in a long-lasting, dense bar. Approximately 5 oz.

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights:
• Sustainably-Sourced Palm Oil
• Vegan
• All Natural
• Fair Trade Ingredients

Full ingredients:
Saponified Oils (Organic Palm Oil, Organic Coconut Oil, Organic Sunflower Oil, Organic Extra Virgin Olive Oil), Essential Oil Blend (Lavender Essential Oil, Eucalyptus Globulus Essential Oil, Fir Needle Essential Oil, Clove Essential, Cinnamon Essential Oil), Poppy Seeds, Spirulina Powder

Illustration of the Devil, from "La Poule aux Oeufs D'or" (Goose with the Golden Egg) (1850)
by Paul Henrion

This illustration depicts a demon, or the Devil himself, in an elaborate costume. This illustration appeared alongside sheet music for the French musical play, "La Poule aux Oeufs D'or" and may have been a suggestion for a costume design.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Four Horsemen, from The Apocalypse (1498)
Engraving by Albrecht Dürer (German, 1471-1528)

In 1498 Dürer published a book illustrating the Revelation of John or the Apocalypse of John, the last book of the New Testament. The images were unique in their large scale, breadth of concept, and unity of design. The first book to be both published and illustrated by the artist, it comprised a title page and 15 full-sheet woodcuts featuring text on the verso of all the sheets except the last one. Often visible through the paper, the text mars the image on the recto of the sheet. The finest impressions were most often printed without text, like this one of The Four Horsemen. Here, Dürer suggested the vigorous momentum of the horsemen through the windblown clothing of the riders, the windswept clouds, and the figures trampled beneath the hooves of the approaching horses.

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• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Four Witches (1497)
Engraving by Albrecht Dürer (German, 1471-1528)

Dating from early in Albrecht Dürer’s career, this engraving cannot be tied to a specific narrative but may allude to the Greek goddess of the underworld, Hecate. Four women gather under an orb with a skull at their feet, while a ghoul emerges to their left. Three of the women could represent Hecate, who was often depicted with three faces or bodies; the fourth may be Diana, Hecate’s counterpart on Earth. The nudity and allusions to black magic suggest mischief and the realm of witches. Prints offered a new medium for exploring subject matter that was deemed inappropriate in other media, such as painting.

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• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The German Tango (Lady Dances with Death) (1916)
by Louis Raemaekers (Netherlands, 1869-1956)

Death is a pitiless partner: when called to the dance, it claims eternal possession. This is a merciless verdict of the symbolic cartoon “German Tango” by the Dutch painter Louis Raemaekers. The painter delivered about 1,000 works on World War I and is one of the most prominent cartoonists of this war who largely contributed to the anti-German war propaganda. 

Louis Raemaekers’ The German Tango is a grim wartime illustration that captures the folly of Europe’s ruling class during World War I. A crowned woman, representing aristocratic Europe, appears entranced as she dances with a skeletal figure. Her posture suggests surrender or denial, emphasizing the pull of power and the blindness to looming catastrophe.

The skeleton, symbolizing death and German militarism, clutches his partner in an eerie waltz that speaks to Raemaekers’ biting criticism. Through sharp visual metaphor, he condemns the elites for their complacency and romanticized diplomacy while war devastated the continent. This piece is a haunting indictment of leadership lost in performance while destruction danced ever closer.

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• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

"The Great Sleep" Handmade Vegan Bar Soap is the perfect companion for unwinding after a long day. Its soothing blend of vanilla, lavender, and chamomile creates a gentle, calming aroma that eases you into relaxation. Ground chamomile flowers and vanilla bean specks add a touch of delicate exfoliation, making this soap an ideal addition to your bedtime routine. Let its comforting scent lull you into a serene state of bliss as you prepare for a peaceful night’s rest. This soap is great for face or body, with a rich lather in a long-lasting, dense bar. Approximately 5 oz.

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights:
• Sustainably-Sourced Palm Oil
• Vegan
• All Natural
• Fair Trade Ingredients

Full ingredients:
Saponified Oils (Olive Oil, Organic Palm Oil, Organic Coconut Oil, Organic Shea Butter), Lavender Essential Oil, Natural Fragrance, Vanilla Bean Powder, Chamomile Powder

Delight your friends and family with a vintage Halloween greeting card that captures the charm of yesteryear. Featuring an authentic Victorian greeting card design, these cards showcase intricate details and rich textures that evoke a truly antique aesthetic. The interior is left blank, offering ample space to pen your personalized message.

Lovingly crafted using artwork digitized and preserved from genuine 100+ year-old greeting cards and postcards, each piece is a tribute to history and craftsmanship. Perfect for those who appreciate timeless elegance and the nostalgic spirit of Halloween.

Folded Card

Being connected is easier than ever, but so is getting lost in the noise. These days, cards go above and beyond the ordinary, adding a personal, tangible touch that leaves a real impact on their recipients. If your message really matters, send a card.

• Made in USA
• Standard Fine Finch 110# Card Stock
• Printed on HP Indigo Printers
• 7" x 5" (17.8 cm x 12.7 cm) Front & Back Folded Card
• Blank White Envelopes Included

Bright and uplifting, The Hoptimist captures the refreshing essence of a hoppy citrus blend reminiscent of a summer shandy. Crafted with all‑natural fragrance oils, it delivers a crisp, zesty aroma that feels both invigorating and cheerful. Finely ground oats are swirled throughout the bar, offering gentle exfoliation while soothing and calming the skin. A vibrant, long‑lasting soap that turns your daily cleanse into a moment of pure refreshment. This soap is great for face or body, with a rich lather in a long-lasting, dense bar. Approximately 5 oz. 

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights: 
• Sustainably-Sourced Palm Oil
• Vegan
• All-Natural

Full ingredients:
Saponified Oils (Olive Oil, Organic Palm Oil, Organic Coconut Oil, Organic Shea Butter), Béér, Orange Essential Oil, Oatmeal

Let your significant other know how you feel with this funny gothic romance greeting card. 

This card reads "The Horrors Persist" on the front. The interior has an illustration of a heart-shaped spider web, and the text below reads, "But So Do We". The interior has plenty of room to add your own message. This card is printed on heavy matte card stock and includes a matching white envelope. 

• Size: 4.25" x 5.5'' (10.8 x 13.9 cm)
• Printing on the outside and inside
• Matte finish
• Matching white envelopes included

The Lady of Shalott (1888)
Painting by John William Waterhouse (English, 1849-1917)

The Lady of Shalott is a poem by Alfred Tennyson, written 50 years before Waterhouse painted this picture. The Lady of Shalott is cursed and forced to stay in a tower. She is only allowed to look at the world through a reflection in the mirror. One day, she sees a knight, Sir Lancelot, and falls in love with him. She ignores the curse and leaves the tower to find him, which results in her death. Lady of Shalott’s story can be read as a warning about female desire. Victorian society had strict rules and expectations for women that defined ‘acceptable’ behavior.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

Delight your friends and family with a vintage Halloween greeting card that captures the charm of yesteryear. Featuring an authentic Victorian greeting card design, these cards showcase intricate details and rich textures that evoke a truly antique aesthetic. The interior is left blank, offering ample space to pen your personalized message.

Lovingly crafted using artwork digitized and preserved from genuine 100+ year-old greeting cards and postcards, each piece is a tribute to history and craftsmanship. Perfect for those who appreciate timeless elegance and the nostalgic spirit of Halloween.

Folded Card

Being connected is easier than ever, but so is getting lost in the noise. These days, cards go above and beyond the ordinary, adding a personal, tangible touch that leaves a real impact on their recipients. If your message really matters, send a card.

• Made in USA
• Standard Fine Finch 110# Card Stock
• Printed on HP Indigo Printers
• 7" x 5" (17.8 cm x 12.7 cm) Front & Back Folded Card
• Blank White Envelopes Included

Start your day with the soothing freshness of The Morning Calm. Crafted with rosemary, lavender, and a blend of essential oils, this versatile bar delivers a clean, invigorating fragrance that appeals to both men and women. Designed for all‑around use, it works beautifully on hair, body, beard, and even as a shaving soap, producing a rich lather that rinses away easily. Gentle, plant‑based ingredients leave skin soft, refreshed, and nourished, making this the perfect everyday soap for a calm, confident start. This soap is great for skin and hair, with a rich lather in a long-lasting, dense bar. Approximately 5 oz. 

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights: 
• Sustainably-Sourced Palm Oil
• All-Natural
• Vegan
• Fair Trade

Full ingredients:
Saponified Oils (Olive Oil, Organic Palm Oil, Organic Coconut Oil, Organic Shea Butter, Organic Castor Oil), Rosemary Essential Oil, Lavender Essential Oil, Rosemary Powder

A ritual of cleansing, softened by nature. Our Handmade Liquid Soap and Body Wash is a castile blend crafted with organic oils, organic aloe, and just enough alchemy to feel like a spell. Coconut oil conjures a rich lather, while sunflower and olive oils lend a gentle, silken touch. Castor oil adds a flourish of fluffy bubbles, and organic aloe leaves behind a hydrating veil.

The Nectar: A bold and irresistible fragrance, The Nectar opens with a very forward cherry note—sweet, juicy, and unmistakably vibrant. This richness is grounded by warm nutty almond and brightened with a refreshing hint of aloe, creating a scent that is lush, mouthwatering, and beautifully balanced. It’s a radiant blend that feels both indulgent and uplifting, wrapping your senses in a sweet, sunlit embrace.

Crafted for everyday rituals, this vegan soap produces a rich lather that leaves skin feeling refreshed and nourished.

Size: 8 fl oz / 236 mL

Ingredients: Water, Organic Sunflower Oil, Organic Coconut Oil, Organic Extra Virgin Olive Oil, Organic Castor Oil, Potassium Hydroxide, Citric Acid, Organic Aloe, Fragrance or Essential Oil

Experience the powerful aromas of sweet cherry and nutty almond—now improved with a touch of cherry blossom. Made with gentle ingredients that clean without drying or damaging your skin or hair, this bar is perfect for all skin types, including sensitive skin. This soap is great for skin and hair, with a rich lather in a long-lasting, dense bar. Approximately 5 oz.

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights: 
• Sustainably-Sourced Palm Oil
• Vegan
• Fair Trade

Full ingredients:
Saponified Oils (Olive Oil, Organic Palm Oil, Organic Coconut Oil, Organic Shea Butter, Organic Castor Oil), Fragrance, Bentonite Clay, Illite Clay, Kaolin Clay, Aloe Vera

The Nightmare (1781)
by Henry Fuseli (Switzerland, 1741-1825)

"The Nightmare" is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with an apelike demonic creature crouched on her chest. The painting's dreamlike and haunting evocation of infatuation and obsession was a huge popular success. For contemporary viewers, "The Nightmare" invoked the relationship of the creature and the horse (mare) to nightmares. The work was likely inspired by the waking dreams experienced by Fuseli and his contemporaries, who found that these experiences related to folkloric beliefs like the Germanic tales about demons and witches that possessed people who slept alone.

The etymology of the word "nightmare" does not relate to horses. Rather, the word is derived from mara, a Scandinavian mythological term referring to a spirit sent to torment or suffocate sleepers. The early meaning of "nightmare" included the sleeper's experience of weight on the chest combined with sleep paralysis, dyspnea, or a feeling of dread. The painting incorporates a variety of imagery associated with these ideas, depicting a mare's head and a demon crouched atop the woman. Fuseli may have added the horse as an afterthought, since a preliminary chalk sketch did not include it. Its presence in the painting has been viewed as a visual pun on the word "nightmare" and a self-conscious reference to folklore—the horse destabilizes the painting's conceit and contributes to its Gothic tone.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Plague (1900)
by Arnold Böcklin
Swiss, 1827-1901 

Arnold Böcklin was a Swiss Symbolist painter whose work is known for its powerful imagery of fantasy, mythology, and allegory. 

“The Plague” depicts a grim scene of Death, personified as a spectral figure, riding a bat-like creature through the streets of a medieval town. The painting is rendered in shades of pale green, often associated with decay, against a backdrop of black and dull browns. This color palette enhances the macabre atmosphere of the scene. The only vivid color is the red cloth of a woman in the mid-foreground, who lies across another victim of the plague, emphasizing the sudden and indiscriminate nature of death.

Böcklin’s fascination with themes of war, pestilence, and death is evident in this work, which reflects the anxieties of the late 19th century. His paintings often explore the darker aspects of the human psyche, presaging the Symbolism movement that would influence artists well into the 20th century.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Power of Death (1889-90)
by William Holbrook Beard (United States, 1825-1900)

In William Holbrook Beard’s painting “The Power of Death,” the embodiment of Death is depicted in a powerful struggle, firmly clasping the neck of a fiercely struggling tiger. Unlike the typical portrayals of Death’s serene approach to claim a life, this scene mirrors the tiger’s intense turmoil. The foot of Death is triumphantly placed upon an elephant, symbolizing an absolute conquest over the colossal creature. In the backdrop, the carcasses of other formidable predators lay defeated, illustrating the inevitable supremacy of Death over all, regardless of their strength or ferocity.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

This pillow sham is a whimsical and cozy accessory for your bed. This pillow sham features a pattern of colorful flowers and black birds in a watercolor style. The pillow sham is made of 100% polyester microfiber, which is soft, durable, and wrinkle-resistant. It has an envelope back that makes it easy to insert and remove your pillow, and gives it a seamless and elegant look.

This pillow sham is a perfect gift for anyone who loves nature, art, or fantasy, or who enjoys an enchanting atmosphere in their bedroom. It comes in various sizes to fit your bed and your pillow. Order yours today and enjoy the comfort and beauty of this raven of the wood themed pillow sham.

• Lightweight woven microfiber (100% polyester)
• Pillow insert not included
• Multiple sizes
• Envelope closure
• Cream color back
• Matching duvet cover available

This duvet cover is a whimsical and cozy accessory for your bed. This duvet cover features a pattern of colorful flowers and black birds in a watercolor style. The duvet cover is made of 100% polyester microfiber, which is soft, durable, and wrinkle-resistant. It has a zipper closure at the bottom that makes it easy to insert and remove your duvet, and gives it a seamless and elegant look.

This duvet cover is a perfect gift for anyone who loves nature, art, or fantasy, or who enjoys an enchanting atmosphere in their bedroom. It comes in various sizes to fit your bed and your duvet. Order yours today and enjoy the comfort and beauty of this raven of the wood themed duvet cover.

• 100% Polyester lightweight woven microfiber
• Multiple sizes
• Invisible zipper closure
• Pillow cases not included
• Insert not included
• Cream color back
• Matching pillow shams available

The Satyr Family (1505)
Engraving by Albrecht Dürer (German, 1471-1528)

Dürer’s interest in mythological imagery stemmed from his familiarity with the Italian Renaissance. In this ambiguous engraving, Dürer depicted a satyr - a hybrid woodland creature typically associated with debauchery - in the role of father and family man. Instead of carousing in the forest, he plays music to his newborn child. Dürer’s play on the mother and child theme and the satyr’s unconventional fatherly behavior draws attention to a primal and simplified way of life. 

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Souls of Acheron (1898)
by Adolf Hirémy-Hirschl
Hungarian, 1860-1933

Adolf Hirémy-Hirschl was a Hungarian artist renowned for his historical and mythological paintings, particularly those related to ancient Rome. His work “The Souls of Acheron,” painted in 1898, is a vivid portrayal of the Greek mythological concept of the afterlife.

In this painting, Hirémy-Hirschl depicts the god Hermes, identifiable by his winged hat and dark blue robes, as he leads the recently deceased to the lower world. The scene is set on the banks of the River Acheron, known in mythology as the river of woe, one of the five rivers of the Greek underworld. The dead are shown pleading with Hermes to allow them to return to the upper world, but he ignores their cries as he strides through the bodies to meet Charon at the shore, who will ferry these souls across the river into the underworld.

Hirémy-Hirschl’s painting captures the essence of this mythology with a dramatic composition that emphasizes the contrast between the divine figure of Hermes and the despairing souls. The use of light and shadow, along with the somber color palette, evokes the emotional weight of the scene and reflects the artist’s skill in conveying narrative through visual art.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging