Delight your friends and family with a vintage Halloween greeting card that captures the charm of yesteryear. Featuring an authentic Victorian greeting card design, these cards showcase intricate details and rich textures that evoke a truly antique aesthetic. The interior is left blank, offering ample space to pen your personalized message.

Lovingly crafted using artwork digitized and preserved from genuine 100+ year-old greeting cards and postcards, each piece is a tribute to history and craftsmanship. Perfect for those who appreciate timeless elegance and the nostalgic spirit of Halloween.

Folded Card

Being connected is easier than ever, but so is getting lost in the noise. These days, cards go above and beyond the ordinary, adding a personal, tangible touch that leaves a real impact on their recipients. If your message really matters, send a card.

• Made in USA
• Standard Fine Finch 110# Card Stock
• Printed on HP Indigo Printers
• 7" x 5" (17.8 cm x 12.7 cm) Front & Back Folded Card
• Blank White Envelopes Included

This soap is the perfect solution for anyone who wants a good all-around bar of soap that does a great job at cleaning. The blend of Rosemary, Lavender and other essential oils makes this a fantastic choice for both men and women who want to smell great and clean up well. This can be used in the hair, body, beard or for shaving. The gentle ingredients will leave your skin feeling soft and clean. This soap is great for skin and hair, with a rich lather in a long-lasting, dense bar. Approximately 5 oz. 

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights: 
• Sustainably-Sourced Palm Oil
• All-Natural
• Vegan
• Fair Trade

Full ingredients:
Saponified Oils (Olive Oil, Organic Palm Oil, Organic Coconut Oil, Organic Shea Butter, Organic Castor Oil), Rosemary Essential Oil, Lavender Essential Oil, Rosemary Powder

Experience the powerful aromas of sweet cherry and nutty almond—now improved with a touch of cherry blossom. Made with gentle ingredients that clean without drying or damaging your skin or hair, this bar is perfect for all skin types, including sensitive skin. This soap is great for skin and hair, with a rich lather in a long-lasting, dense bar. Approximately 5 oz.

Due to extremely high demand this item goes out of stock occasionally for short periods of time. We will notify you if your order processing is delayed.

Highlights: 
• Sustainably-Sourced Palm Oil
• Vegan
• Fair Trade

Full ingredients:
Saponified Oils (Olive Oil, Organic Palm Oil, Organic Coconut Oil, Organic Shea Butter, Organic Castor Oil), Fragrance, Bentonite Clay, Illite Clay, Kaolin Clay, Aloe Vera

The Nightmare (1781)
by Henry Fuseli (Switzerland, 1741-1825)

"The Nightmare" is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with an apelike demonic creature crouched on her chest. The painting's dreamlike and haunting evocation of infatuation and obsession was a huge popular success. For contemporary viewers, "The Nightmare" invoked the relationship of the creature and the horse (mare) to nightmares. The work was likely inspired by the waking dreams experienced by Fuseli and his contemporaries, who found that these experiences related to folkloric beliefs like the Germanic tales about demons and witches that possessed people who slept alone.

The etymology of the word "nightmare" does not relate to horses. Rather, the word is derived from mara, a Scandinavian mythological term referring to a spirit sent to torment or suffocate sleepers. The early meaning of "nightmare" included the sleeper's experience of weight on the chest combined with sleep paralysis, dyspnea, or a feeling of dread. The painting incorporates a variety of imagery associated with these ideas, depicting a mare's head and a demon crouched atop the woman. Fuseli may have added the horse as an afterthought, since a preliminary chalk sketch did not include it. Its presence in the painting has been viewed as a visual pun on the word "nightmare" and a self-conscious reference to folklore—the horse destabilizes the painting's conceit and contributes to its Gothic tone.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

The Nightmare (1781)
by Henry Fuseli (Switzerland, 1741-1825)

"The Nightmare" is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and with an apelike demonic creature crouched on her chest. The painting's dreamlike and haunting evocation of infatuation and obsession was a huge popular success. For contemporary viewers, "The Nightmare" invoked the relationship of the creature and the horse (mare) to nightmares. The work was likely inspired by the waking dreams experienced by Fuseli and his contemporaries, who found that these experiences related to folkloric beliefs like the Germanic tales about demons and witches that possessed people who slept alone.

The etymology of the word "nightmare" does not relate to horses. Rather, the word is derived from mara, a Scandinavian mythological term referring to a spirit sent to torment or suffocate sleepers. The early meaning of "nightmare" included the sleeper's experience of weight on the chest combined with sleep paralysis, dyspnea, or a feeling of dread. The painting incorporates a variety of imagery associated with these ideas, depicting a mare's head and a demon crouched atop the woman. Fuseli may have added the horse as an afterthought, since a preliminary chalk sketch did not include it. Its presence in the painting has been viewed as a visual pun on the word "nightmare" and a self-conscious reference to folklore—the horse destabilizes the painting's conceit and contributes to its Gothic tone.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Plague (1900)
by Arnold Böcklin
Swiss, 1827-1901 

Arnold Böcklin was a Swiss Symbolist painter whose work is known for its powerful imagery of fantasy, mythology, and allegory. 

“The Plague” depicts a grim scene of Death, personified as a spectral figure, riding a bat-like creature through the streets of a medieval town. The painting is rendered in shades of pale green, often associated with decay, against a backdrop of black and dull browns. This color palette enhances the macabre atmosphere of the scene. The only vivid color is the red cloth of a woman in the mid-foreground, who lies across another victim of the plague, emphasizing the sudden and indiscriminate nature of death.

Böcklin’s fascination with themes of war, pestilence, and death is evident in this work, which reflects the anxieties of the late 19th century. His paintings often explore the darker aspects of the human psyche, presaging the Symbolism movement that would influence artists well into the 20th century.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Plague (1900)
by Arnold Böcklin
Swiss, 1827-1901 

Arnold Böcklin was a Swiss Symbolist painter whose work is known for its powerful imagery of fantasy, mythology, and allegory. 

“The Plague” depicts a grim scene of Death, personified as a spectral figure, riding a bat-like creature through the streets of a medieval town. The painting is rendered in shades of pale green, often associated with decay, against a backdrop of black and dull browns. This color palette enhances the macabre atmosphere of the scene. The only vivid color is the red cloth of a woman in the mid-foreground, who lies across another victim of the plague, emphasizing the sudden and indiscriminate nature of death.

Böcklin’s fascination with themes of war, pestilence, and death is evident in this work, which reflects the anxieties of the late 19th century. His paintings often explore the darker aspects of the human psyche, presaging the Symbolism movement that would influence artists well into the 20th century.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

The Power of Death (1889-90)
by William Holbrook Beard (United States, 1825-1900)

In William Holbrook Beard’s painting “The Power of Death,” the embodiment of Death is depicted in a powerful struggle, firmly clasping the neck of a fiercely struggling tiger. Unlike the typical portrayals of Death’s serene approach to claim a life, this scene mirrors the tiger’s intense turmoil. The foot of Death is triumphantly placed upon an elephant, symbolizing an absolute conquest over the colossal creature. In the backdrop, the carcasses of other formidable predators lay defeated, illustrating the inevitable supremacy of Death over all, regardless of their strength or ferocity.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Power of Death (1889-90)
by William Holbrook Beard (United States, 1825-1900)

The figure of Death tightly grips the neck of the thrashing tiger in its arms. Images of Death calmly walking in and taking a life are common, but here Death has the same dynamic pose as the writhing tiger. Death’s foot mounts an elephant, indicating its total victory over the giant beast. We see other large predators slain in the background; Death overcomes even the mightiest in the end.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

This pillow sham is a whimsical and cozy accessory for your bed. This pillow sham features a pattern of colorful flowers and black birds in a watercolor style. The pillow sham is made of 100% polyester microfiber, which is soft, durable, and wrinkle-resistant. It has an envelope back that makes it easy to insert and remove your pillow, and gives it a seamless and elegant look.

This pillow sham is a perfect gift for anyone who loves nature, art, or fantasy, or who enjoys an enchanting atmosphere in their bedroom. It comes in various sizes to fit your bed and your pillow. Order yours today and enjoy the comfort and beauty of this raven of the wood themed pillow sham.

• Lightweight woven microfiber (100% polyester)
• Pillow insert not included
• Multiple sizes
• Envelope closure
• Cream color back
• Matching duvet cover available

This duvet cover is a whimsical and cozy accessory for your bed. This duvet cover features a pattern of colorful flowers and black birds in a watercolor style. The duvet cover is made of 100% polyester microfiber, which is soft, durable, and wrinkle-resistant. It has a zipper closure at the bottom that makes it easy to insert and remove your duvet, and gives it a seamless and elegant look.

This duvet cover is a perfect gift for anyone who loves nature, art, or fantasy, or who enjoys an enchanting atmosphere in their bedroom. It comes in various sizes to fit your bed and your duvet. Order yours today and enjoy the comfort and beauty of this raven of the wood themed duvet cover.

• 100% Polyester lightweight woven microfiber
• Multiple sizes
• Invisible zipper closure
• Pillow cases not included
• Insert not included
• Cream color back
• Matching pillow shams available

The Satyr Family (1505)
Engraving by Albrecht Dürer (German, 1471-1528)

Dürer’s interest in mythological imagery stemmed from his familiarity with the Italian Renaissance. In this ambiguous engraving, Dürer depicted a satyr - a hybrid woodland creature typically associated with debauchery - in the role of father and family man. Instead of carousing in the forest, he plays music to his newborn child. Dürer’s play on the mother and child theme and the satyr’s unconventional fatherly behavior draws attention to a primal and simplified way of life. 

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Satyr Family (1505)
Engraving by Albrecht Dürer (German, 1471-1528)

Dürer’s interest in mythological imagery stemmed from his familiarity with the Italian Renaissance. In this ambiguous engraving, Dürer depicted a satyr - a hybrid woodland creature typically associated with debauchery - in the role of father and family man. Instead of carousing in the forest, he plays music to his newborn child. Dürer’s play on the mother and child theme and the satyr’s unconventional fatherly behavior draws attention to a primal and simplified way of life. 

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

The Souls of Acheron (1898)
by Adolf Hirémy-Hirschl
Hungarian, 1860-1933

Adolf Hirémy-Hirschl was a Hungarian artist renowned for his historical and mythological paintings, particularly those related to ancient Rome. His work “The Souls of Acheron,” painted in 1898, is a vivid portrayal of the Greek mythological concept of the afterlife.

In this painting, Hirémy-Hirschl depicts the god Hermes, identifiable by his winged hat and dark blue robes, as he leads the recently deceased to the lower world. The scene is set on the banks of the River Acheron, known in mythology as the river of woe, one of the five rivers of the Greek underworld. The dead are shown pleading with Hermes to allow them to return to the upper world, but he ignores their cries as he strides through the bodies to meet Charon at the shore, who will ferry these souls across the river into the underworld.

Hirémy-Hirschl’s painting captures the essence of this mythology with a dramatic composition that emphasizes the contrast between the divine figure of Hermes and the despairing souls. The use of light and shadow, along with the somber color palette, evokes the emotional weight of the scene and reflects the artist’s skill in conveying narrative through visual art.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Souls of Acheron (1898)
by Adolf Hirémy-Hirschl
Hungarian, 1860-1933

Adolf Hirémy-Hirschl was a Hungarian artist renowned for his historical and mythological paintings, particularly those related to ancient Rome. His work “The Souls of Acheron,” painted in 1898, is a vivid portrayal of the Greek mythological concept of the afterlife.

In this painting, Hirémy-Hirschl depicts the god Hermes, identifiable by his winged hat and dark blue robes, as he leads the recently deceased to the lower world. The scene is set on the banks of the River Acheron, known in mythology as the river of woe, one of the five rivers of the Greek underworld. The dead are shown pleading with Hermes to allow them to return to the upper world, but he ignores their cries as he strides through the bodies to meet Charon at the shore, who will ferry these souls across the river into the underworld.

Hirémy-Hirschl’s painting captures the essence of this mythology with a dramatic composition that emphasizes the contrast between the divine figure of Hermes and the despairing souls. The use of light and shadow, along with the somber color palette, evokes the emotional weight of the scene and reflects the artist’s skill in conveying narrative through visual art.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

The Truth Lies in Old Books (1910)
by Marian Wawrzeniecki
Polish, 1863-1943

Marian Wawrzeniecki was a Polish archaeologist, ethnographer, painter, draughtsman, and art historian from Warsaw, Poland. Wawrzeniecki’s paintings are known for their evocative imagery and often feature mystical and allegorical subjects.

The painting The Truth Lies in Old Books is a striking work that depicts a woman’s fleshy body with a skull for a head, collapsed upon an open book and gripping a bloody root. The painting’s title suggests a commentary on the search for knowledge and truth through literature and the written word, with the visual elements adding a layer of depth to this interpretation. It reflects the symbolism movement, which often explored themes of life, death, and the human condition through allegorical and sometimes macabre imagery.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Unicorn is in Captivity and No Longer Dead (1495-1505)
Woven in South Netherlands by unknown artisans

The Unicorn Tapestries, particularly “The Unicorn is in Captivity and No Longer Dead,” are rich in symbolism and steeped in historical context. Created in the South Netherlands around 1495–1505, these tapestries are thought to have been designed in Paris and depict a hunt for the unicorn through an idyllic French landscape.

Historically, the tapestries reflect the late medieval era’s fascination with allegorical and narrative art. The “millefleurs” background style, featuring a variety of small botanical elements, was popular during this period and is prominently featured in the tapestries. The enclosed garden, or “Hortus conclusus,” where the hunt takes place, is not only a representation of a secular, physical garden but also connects with the Annunciation.

The tapestries have sparked scholarly debate regarding their meaning, with some suggesting they were commissioned to celebrate a marriage, as medieval poets often linked the taming of the unicorn to themes of love and devotion, enriching the tapestries’ narrative with layers of both secular and religious significance.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Unicorn is in Captivity and No Longer Dead (1495-1505)
Woven in South Netherlands by unknown artisans

The Unicorn is in Captivity and No Longer Dead is the final panel in a series of tapestries showing pagan and Christian symbolism. The pagan themes emphasize the medieval lore of beguiled lovers, whereas Christian writings interpret the unicorn and its death as the Passion of Christ. The unicorn has long been identified by Christian writers as a symbol of Christ, conscripting the traditionally pagan symbolism of the unicorn. The original pagan myths about The Hunt of the Unicorn refer to an animal with a single horn that can only be tamed by a virgin; Christian scholars translated this into an allegory for Christ's relationship with the Virgin Mary.

In the Gothic tapestry, the makers considered biblical events as historical, and linked the biblical and secular narratives in the tapestry weaving. Medieval art illustrated moral principles, and the tapestries used narrative allegories to illustrate these morals. The secular unicorn hunt was not simply Christian art, but also an allegorical representation of the Annunciation.

Acknowledging speculation that the tapestries were commissioned to celebrate a marriage, it is noted that medieval poets connected the taming of the unicorn to the devotion and subjugation of love. The taming of the unicorn symbolizes the secular lover or mate who was enchained by a virgin and entrapped in the fence (in the tapestry The Unicorn in Captivity). In addition, the author pointed out that the concept of an overlapping God of Heaven and God of love was accepted in the late Middle Ages.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

"The Vampire Queen" [Marie Schleinzer in Bat Costume] (1896)
Photograph by Atelier Adele Studio (Austria, 1862-1905)

Austrian stage actress Marie Schleinzer in costume for the ballet “Around Vienna” ("Rund um Wien"). In it, Schleinzer plays the allegorical force of evil. This is one of a series of photographs published in the Austrian photographic journal Photographische Correspondenz. 

The photography studio was owned by Adele Perlmutter-Heilperin and her two brothers, Max and William Perlmutter, who founded Atelier Adele in 1862. Adele was the first and only female "k.u.k. Hofphotograph" of the Austro-Hungarian monarchy in Vienna and was famous for her ability to photograph women.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

"The Vampire Queen" [Marie Schleinzer in Bat Costume] (1896)
Photograph by Atelier Adele Studio (Austria, 1862-1905)

Austrian stage actress Marie Schleinzer in costume for the ballet “Around Vienna” ("Rund um Wien"). In it, Schleinzer plays the allegorical force of evil. This is one of a series of photographs published in the Austrian photographic journal Photographische Correspondenz. 

The photography studio was owned by Adele Perlmutter-Heilperin and her two brothers, Max and William Perlmutter, who founded Atelier Adele in 1862. Adele was the first and only female "k.u.k. Hofphotograph" of the Austro-Hungarian monarchy in Vienna and was famous for her ability to photograph women.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

The White Owl (1856)
by William James Webbe
English (1830-1904)

The White Owl is a captivating piece that exemplifies the artist's meticulous attention to detail and his importance within the Pre-Raphaelite movement. Painted in 1856, the artwork features a solitary white owl resting on its perch within a belfry, a setting that evokes a sense of solitude and contemplation. The owls feathers are rendered with exquisite detail, showcasing Webbe's skill in capturing the texture and softness that is characteristic of an owl's plumage.  

The painting's title, accompanied by the quote "alone and warming his five wits, the white owl in his belfry sits" further emphasizes the owl's isolation and introspective mood. The artwork stands out not only for its technical prowess but also for its ability to convey a deeper narrative through the simple yet profound subject of a white owl in quietude.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

 The White Owl (1856)
by William James Webbe
English (1830-1904)

The White Owl is a captivating piece that exemplifies the artist's meticulous attention to detail and his importance within the Pre-Raphaelite movement. Painted in 1856, the artwork features a solitary white owl resting on its perch within a belfry, a setting that evokes a sense of solitude and contemplation. The owls feathers are rendered with exquisite detail, showcasing Webbe's skill in capturing the texture and softness that is characteristic of an owl's plumage.  

The painting's title, accompanied by the quote "alone and warming his five wits, the white owl in his belfry sits" further emphasizes the owl's isolation and introspective mood. The artwork stands out not only for its technical prowess but also for its ability to convey a deeper narrative through the simple yet profound subject of a white owl in quietude.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

The Witch (Night Piece) (1626)
by Jan van de Velde (Dutch, 1620-1662)

Step into a world of dark enchantment with "The Witch (Night Piece)" Matte Poster. This mesmerizing piece captures a nocturnal scene where a sorceress concocts her evil brew amidst a company of bizarre beasts. She stands within a "magic circle" etched into the ground—a supernaturally consecrated space for witchcraft.

The sorceress overturns a horn into her cauldron, which is engulfed in billowing flames. Mixing with the powder are two streams of ash that spew forth from pipes held by a somersaulting demon on the left. The swirling, decorative composition and the variety of grotesque creatures, making both knowing and silly faces at the viewer, add elements of whimsy and farce to this ostensibly serious, occult subject.

Perfect for those who appreciate the mysterious and the macabre, this matte poster is an evocative addition to any art collection. Its intricate details and supernatural elements make it a standout piece that invites closer inspection and admiration.

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Witch (Night Piece) (1626)
by Jan van de Velde (Dutch, 1620-1662)

Step into a world of dark enchantment with "The Witch (Night Piece)" Rectangle Canvas Wrap. This mesmerizing piece captures a nocturnal scene where a sorceress concocts her evil brew amidst a company of bizarre beasts. She stands within a "magic circle" etched into the ground—a supernaturally consecrated space for witchcraft.

The sorceress overturns a horn into her cauldron, which is engulfed in billowing flames. Mixing with the powder are two streams of ash that spew forth from pipes held by a somersaulting demon on the left. The swirling, decorative composition and the variety of grotesque creatures, making both knowing and silly faces at the viewer, add elements of whimsy and farce to this ostensibly serious, occult subject.

Perfect for those who appreciate the mysterious and the macabre, this rectangular canvas wrap is an evocative addition to any art collection. Its intricate details and supernatural elements make it a standout piece that invites closer inspection and admiration.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging.

• Ready To Hang - Mounting hardware comes attached.
• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.

The Witch (Night Piece) (1626)
by Jan van de Velde (Dutch, 1620-1662)

Step into a world of dark enchantment with "The Witch (Night Piece)" Rectangle Framed Art Print. This mesmerizing piece captures a nocturnal scene where a sorceress concocts her evil brew amidst a company of bizarre beasts. She stands within a "magic circle" etched into the ground—a supernaturally consecrated space for witchcraft.

The sorceress overturns a horn into her cauldron, which is engulfed in billowing flames. Mixing with the powder are two streams of ash that spew forth from pipes held by a somersaulting demon on the left. The swirling, decorative composition and the variety of grotesque creatures, making both knowing and silly faces at the viewer, add elements of whimsy and farce to this ostensibly serious, occult subject.

Perfect for those who appreciate the mysterious and the macabre, this rectangular framed art print is an evocative addition to any art collection. Its intricate details and supernatural elements make it a standout piece that invites closer inspection and admiration.

Rectangle Framed Art Print

Semi-gloss paper framed in 1 inch 100% real wood frames with a matte enamel finish. Framed prints have an archival, shatterproof plexiglass. Framed paper prints offer you a professional finish ready to elevate any space.

• Ready To Hang - Wire hanger attached
• Professionally finished back
• Rubber Bumpers
• Sizes Reference the Print Inside the Frame
• Available in Black, White & Espresso colors

The Witch (Night Piece) (1626)
by Jan van de Velde (Dutch, 1620-1662)

Step into a world of dark enchantment with "The Witch (Night Piece)" Rectangle Framed Canvas. This mesmerizing piece captures a nocturnal scene where a sorceress concocts her evil brew amidst a company of bizarre beasts. She stands within a "magic circle" etched into the ground—a supernaturally consecrated space for witchcraft.

The sorceress overturns a horn into her cauldron, which is engulfed in billowing flames. Mixing with the powder are two streams of ash that spew forth from pipes held by a somersaulting demon on the left. The swirling, decorative composition and the variety of grotesque creatures, making both knowing and silly faces at the viewer, add elements of whimsy and farce to this ostensibly serious, occult subject.

Perfect for those who appreciate the mysterious and the macabre, this rectangular framed canvas is an evocative addition to any art collection. Its intricate details and supernatural elements make it a standout piece that invites closer inspection and admiration.

Framed Canvas

Gallery quality canvas print displays vibrant artwork that is built to last. Printed with HP Latex Inks that are fade resistant. Inks are water based and solvent free so rest assured there are no harsh chemicals in your home. Assembled with thick wood frame and glued wood core stretcher bars. All canvas prints are wrapped and shipped in fitted packaging.

Ready To Hang - Mounting hardware comes attached.

• Leveling Bumpers Included - For wall protection.
• Semi-Gloss Print - Increased vibrancy of artwork.
• Beveled Wood Stretch Bars - Make frame less noticeable on front of canvas.
• Industrial Strength Staples - Ensure a tight fit that is sure to last.
• Sizes Reference the Canvas Inside the Frame.

This delightfully deadpan tote is perfect for the unbothered, the over-it, and anyone whose patience has officially left the building.

The There It Goes, My Last Flying Fck* Tote Bag by Witchwood Bags features a bold white design of a skeleton releasing a bat into the void—because sometimes, you just have to let it go (with flair). Made from 100% black cotton and fully washable, this bag is as practical as it is petty, perfect for errands, day trips, or carrying the emotional baggage you no longer care about.

Measuring approximately 18.5" W x 13" H x 4" D (47 cm x 33 cm x 10 cm), it’s roomy enough for snacks, spellbooks, or the receipts you’re no longer interested in showing. The high-contrast print pops against the black fabric, making your mood crystal clear without saying a word.

Whether you're off to the market or just done with everything, this bag is your new favorite form of passive-aggressive self-expression.

This bold and cheeky carryall is perfect for spooky babes, beach goths, and anyone who proudly haunts the shoreline with confidence and charm.

The "Thick Thighs and Spooky Vibes" Black Cotton Beach Bag by Witchwood Bags is an oversized black tote made from 100% cotton—roomy, durable, and ready for whatever your day conjures up. Whether you're heading to the beach, running errands, or stocking up on snacks for a midnight movie marathon, this bag has space for it all. It’s fully washable, so you can keep it looking fresh no matter how wild your adventures get.

Measuring approximately 18.5" W x 13" H x 4" D (47 cm x 33 cm x 10 cm), it’s the perfect size for towels, spellbooks, snacks, or a few skeletons in your closet. The bold white print pops against the black fabric, making a statement that’s equal parts playful and powerful.

Whether you're chasing waves or casting shade, this bag is ready to tag along for the ride.