Introduce yourself to a new era of tarot reading with The Fablemaker's Animated Tarot Deck and Book Set. Inspired by the classic Rider-Waite Tarot, this innovative deck breathes vibrant life into each reading with its bright, colorful artwork and dynamic animations.

Key Features:

• Lenticular Technology: Each of the 78 cards utilizes lenticular printing to create an 8-frame looping animation. Watch as the images come to life with a simple tilt, adding an interactive and engaging dimension to your tarot practice.
• Silver-Foil Accented Box: The cards are beautifully presented in a box adorned with silver foil accents, making it a stunning addition to your collection.

The Fablemaker's Tarot Guidebook:

• Award-Winning Guidebook: Accompanying the deck is the IPPY award-winning 280-page hardcover guidebook. It offers comprehensive card meanings and unique approaches to divination, as well as ways to integrate the wonder of tarot into your TTRPGs (Tabletop Role-Playing Games).

Set Includes:

• 78 animated tarot cards
• 280-page full-color hardcover guidebook

The Four Horsemen, from The Apocalypse (1498)
Engraving by Albrecht Dürer (German, 1471–1528)

Dynamic, dramatic, and masterfully detailed, The Four Horsemen is one of the most iconic images of the Northern Renaissance. Created by Albrecht Dürer as part of his groundbreaking Apocalypse series, the work brings the powerful imagery of the Book of Revelation to life with extraordinary energy and precision.

Charging across the composition with unstoppable force, the four riders embody a vision of fate, judgment, and transformation. Dürer’s genius is evident in every line — from the flowing garments and turbulent clouds to the figures overwhelmed beneath the horses’ hooves. The result is a scene of remarkable movement and intensity that remains as compelling today as it was more than five centuries ago.

Widely regarded as a landmark achievement in printmaking, The Four Horsemen showcases Dürer’s unmatched ability to balance technical mastery with emotional impact. Reproduced on a premium matte poster, this historic masterpiece makes a bold statement in any space, offering a striking blend of artistic excellence, symbolism, and timeless drama.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Four Horsemen, from The Apocalypse (1498)
by Albrecht Dürer (German, 1471–1528)

They are coming. All four of them, at once, from the right side of the image, bearing down on a crowd of people who have nowhere to go. An angel watches from above. Below the horses' hooves, the bodies are already piling up.

Albrecht Dürer was the greatest printmaker of the Northern Renaissance — a German artist who combined the technical precision of the goldsmith's tradition in which he trained with an imagination of extraordinary scope. In 1498, at the age of twenty-seven, he published The Apocalypse: a series of fifteen large-format woodcuts illustrating the Book of Revelation. It was the first book in history to be both written and illustrated by the same artist, and it made Dürer famous across Europe almost overnight.

The Four Horsemen is the series' most iconic image. Dürer renders the riders — Pestilence, War, Famine, and Death — not as distant symbols but as an immediate physical force: robes and clouds whipped by the speed of their approach, horses overlapping in a crush of momentum, the figures beneath them trampled without ceremony. The composition has no center of calm. Everything is motion, weight, and inevitability.

The finest impressions of the print were made without the accompanying text — the image alone, which is how it appears here.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The German Tango (Lady Dances with Death) (1916)
by Louis Raemaekers (Dutch, 1869–1956)

Louis Raemaekers was the most widely published political cartoonist of World War I — his work appeared in newspapers across Europe and the United States, and the German government reportedly placed a bounty on his head. Over the course of the war he produced nearly 1,000 images, each a precise instrument of moral outrage.

The German Tango is among his most haunting: a crowned woman — aristocratic Europe, complicit and entranced — waltzes with a skeletal partner. Her posture suggests surrender, or denial, or both. The skeleton holds her with the easy confidence of something that has already won. Raemaekers' indictment is clear: the ruling class danced while the continent burned, romanticizing diplomacy and power while millions died in the mud.

A piece that has lost none of its edge in the century since it was made.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The German Tango (Lady Dances with Death) (1916)
by Louis Raemaekers (Netherlands, 1869–1956)

Death is a pitiless partner: when called to the dance, it claims eternal possession. This is the merciless verdict of The German Tango, a symbolic cartoon by the Dutch painter Louis Raemaekers. Raemaekers produced about 1,000 works on World War I and is one of the most prominent cartoonists of the war, contributing significantly to anti-German propaganda.

Louis Raemaekers’ The German Tango is a grim wartime illustration that captures the folly of Europe’s ruling class during World War I. A crowned woman, representing aristocratic Europe, appears entranced as she dances with a skeletal figure. Her posture suggests surrender or denial, emphasizing the pull of power and the blindness to looming catastrophe.

The skeleton, symbolizing death and German militarism, clutches his partner in an eerie waltz that speaks to Raemaekers’ biting criticism. Through sharp visual metaphor, he condemns the elites for their complacency and romanticized diplomacy while war devastated the continent. This piece is a haunting indictment of leadership lost in performance while destruction danced ever closer.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Green Masque (1920)
by Sir Oswald Birley (English, 1880–1952)

A woman in Venetian carnival dress stands against a dark background, her face pale and composed, lashes lowered. She wears a green mask pushed up above her brow — not concealing her, but framing her. The mask is the subject. So is the face beneath it.

Sir Oswald Birley was one of the most sought-after portrait painters in early 20th-century Britain, known for his ability to capture not just the likeness of his subjects but their particular quality of presence. He painted royalty, politicians, and society figures with equal facility, and his work is held in collections across the UK and beyond.

The subject of The Green Masque is Rhoda, his wife — which gives the painting a different register than his commissioned portraits. This is not a society commission. It is a painter turning his full attention on the person he knows best, in a costume that is simultaneously theatrical and intimate. The Venetian carnival setting, with its tradition of disguise and revelation, suits the ambiguity perfectly: she is masked and unmasked at the same time.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Lady of Shalott (1888)
Painting by John William Waterhouse (English, 1849–1917)

Ethereal, poignant, and richly romantic, The Lady of Shalott is one of John William Waterhouse’s most beloved masterpieces. Inspired by Alfred Tennyson’s celebrated poem, the painting captures the tragic heroine at a pivotal moment, embarking on a journey that will forever alter her fate.

Waterhouse masterfully combines Pre-Raphaelite beauty with powerful storytelling, surrounding the solitary figure with luminous light, intricate detail, and a dreamlike atmosphere. The work evokes themes of longing, destiny, and the courage to follow one’s heart, even in the face of profound consequences.

Renowned for its emotional depth and visual elegance, The Lady of Shalott remains an enduring symbol of romance and resilience. Reproduced on a premium matte poster, this timeless masterpiece brings literary history, artistic sophistication, and captivating beauty to any home, office, or gallery wall.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Lady of Shalott (1888)
by John William Waterhouse (English, 1849–1917)

She is already in the boat. The candles are lit. The tapestry trails behind her in the water. She is looking downstream, toward Camelot, toward Lancelot — toward the world she has only ever seen in a mirror. The curse has already begun. She knows it. She went anyway.

John William Waterhouse was the last great painter of the Pre-Raphaelite tradition, known for his luminous, technically accomplished depictions of women from myth, legend, and literature. He painted the Lady of Shalott three times across his career — this 1888 version, showing her in the boat at the moment of departure, is the most celebrated.

The source is Alfred Lord Tennyson's 1832 poem, which tells of a woman cursed to live in a tower on an island, forbidden to look directly at the world outside. She can only observe it through a mirror, weaving what she sees into a tapestry. When Sir Lancelot rides past — brilliant, singing, armored in light — she turns from the mirror to look at him directly. The mirror cracks. The curse begins. She climbs into a boat, writes her name on the prow, and floats toward Camelot, singing, until she dies before she arrives.

The poem is often read as a parable about the cost of female desire, or the danger of art that turns away from life. But there is another reading: she had been watching the world in a mirror for years. She saw Lancelot. She chose to look. Whatever the curse cost her, she paid it with her eyes open.

Waterhouse captures the moment of departure — not the death, but the decision.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Life of the Bee [La Vie De L'Abeille]

The Life of the Bee [La Vie De L'Abeille]
Antique French Educational Poster (19th century)

A large-format diagram of the honeybee colony in full: the queen, the workers, the drones, the hexagonal geometry of the comb, the stages of larval development rendered in careful cross-section. Labels in French. Borders in the warm ochre and deep green of the period. The kind of image that was designed to be looked at for a long time.

The French planche — the educational wall chart — was one of the great visual achievements of 19th-century science communication. Produced for schools, natural history museums, and scientific societies, these posters combined rigorous biological accuracy with a compositional elegance that has made them enduringly collectible. The best of them treat their subjects — insects, plants, anatomical systems, geological strata — with the same seriousness and visual care that painters brought to portraiture.

La Vie De L'Abeille is a particularly fine example: the honeybee colony as a complete world, rendered in the precise, unhurried style of 19th-century natural history illustration. It works as science. It works as decoration. And it rewards the kind of slow looking that most wall art doesn't ask for.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

Awaken passion, connection, and divine harmony with The Lovers—a lush, romantic blend that stirs the heart and deepens intention. Hand-rolled in India using vegan, organic ingredients and premium fragrance oils, these incense sticks offer a clean, long-lasting burn that envelops your space in warmth and allure.

Infused with red rose—a timeless symbol of love, devotion, and sensuality—this fragrance evokes intimacy and emotional depth. Just as The Lovers Tarot card represents union, choice, and sacred alignment, this scent invites you to honor what you cherish and embrace what sets your soul alight.

Each pack includes 15 incense sticks and a round wooden holder etched with a radiant starburst design. Packaged in recyclable paper, it's a heartfelt gift for romantics, ritualists, and those drawn to beauty with meaning.

Size: 8.66" long
Includes: 15 sticks + wooden holder
Caution: Please practice caution when burning. Use a suitable incense holder and never leave lit incense unattended.

Embrace the allure of shadow and light with The Night Crown Bracelet, a mysterious and captivating piece designed for those who prefer their jewelry with a touch of the arcane. At its center, a solitary crystal hangs suspended in a sculpted metal setting, encircled by thorn‑like branches that evoke the elegance of a crown forged in moonlight.

Crafted from durable stainless steel, this bangle offers both strength and style, making it ideal for everyday wear or special occasions. The lobster claw clasp ensures a secure, comfortable fit while maintaining the bracelet's sleek silhouette.

A striking yet delicate design, The Night Crown Bracelet makes a memorable gift for anyone who loves jewelry that is enchanting and elegant.

Perfect on its own or layered with other pieces, it's a wearable statement of power, mystery, and beautifully dark aesthetics.

The Nightmare (1781)
by Henry Fuseli (Switzerland, 1741–1825)

The Nightmare is a 1781 oil painting by Swiss artist Henry Fuseli. It shows a woman in deep sleep with her arms thrown below her, and an apelike demonic creature crouched on her chest. The painting’s dreamlike and haunting evocation of infatuation and obsession was a huge popular success. For contemporary viewers, The Nightmare invoked the relationship of the creature and the horse (mare) to nightmares. The work was likely inspired by the waking dreams experienced by Fuseli and his contemporaries, who found that these experiences related to folkloric beliefs — including Germanic tales about demons and witches that possessed people who slept alone.

The etymology of the word “nightmare” does not relate to horses. Rather, the word is derived from mara, a Scandinavian mythological term referring to a spirit sent to torment or suffocate sleepers. The early meaning of “nightmare” included the sleeper’s experience of weight on the chest combined with sleep paralysis, dyspnea, or a feeling of dread. The painting incorporates a variety of imagery associated with these ideas, depicting a mare’s head and a demon crouched atop the woman. Fuseli may have added the horse as an afterthought, since a preliminary chalk sketch did not include it. Its presence has been viewed as a visual pun on the word “nightmare” and a self-conscious reference to folklore — the horse destabilizes the painting’s conceit and contributes to its Gothic tone.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Nightmare (1781)
by Henry Fuseli (Swiss-British, 1741–1825)

A woman lies sprawled across a bed, arms thrown back, head hanging. On her chest crouches a small, apelike demon — squat, grinning, perfectly at home. Behind the curtain at the edge of the frame, a horse's head pushes through, eyes white and blind, nostrils flared. The woman is asleep. She cannot see any of it.

Henry Fuseli was one of the defining painters of the Romantic movement — a Swiss-born artist who spent most of his career in London and became famous for his willingness to paint what reason could not explain: dreams, visions, supernatural encounters, the irrational forces that operate on the sleeping mind. Where his contemporaries painted history and landscape, Fuseli painted the inside of the skull.

The Nightmare, exhibited at the Royal Academy in 1782, was an immediate sensation. It spoke directly to something audiences recognized but had no polite language for: the experience of waking from a dream with a weight on your chest, unable to move, certain something is in the room with you. We now understand this as sleep paralysis — a state in which the body remains immobilized while the mind is partially conscious, often accompanied by hallucinations of a presence or a pressure.

Fuseli knew the folklore. The word "nightmare" derives from mara, a Scandinavian spirit believed to sit on sleepers' chests and cause suffocation. The horse at the edge of the frame is almost certainly a visual pun — mare, nightmare — and a deliberate nod to the tradition Fuseli was painting his way into. The demon on the chest is the mara made visible. The horse is the word made flesh.

It remains one of the most reproduced paintings in Western art history, and one of the most immediately legible: you know exactly what is happening, because some version of it has probably happened to you.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

When your body is throwing a full‑scale tantrum, The Notorious V.A.G. steps in with softness, strength, and a whole lot of attitude. This caffeine‑free blend is crafted with botanicals traditionally used for comfort and relaxation, making it a go‑to for days when you're crampy, sore, bloated, or just feeling like your uterus is plotting against you. It's also a delicious choice any time you want something soothing, grounding, and naturally sweet.

This blend brings together hibiscus, rooibos, chamomile, rose hips, raspberry leaf, and licorice root, creating a smooth, floral, slightly tart cup that feels like a warm hug with a wink. Cramp bark adds an earthy depth, making this a favorite for post‑workout sips or anytime your body needs a little extra kindness.

Comforting, delicious, and unapologetically fierce — just like you.

Never apologize for being a powerful woman
Even when your uterus is in a full‑on rage
This tea helps you ride out the storm

Details

• Net wt: 2 oz (56 g), approx. 20 cups
• Caffeine Free
• Organic ingredients
• Handcrafted in the Sierra Mountains
• Packaged in recycled materials

Ingredients

Organic rooibos, organic raspberry leaf, organic orange peel, organic cramp bark, organic hibiscus, organic chamomile, organic rose hips, organic licorice root

Important Note

Statements from ModestMix regarding herbal and natural teas have not been evaluated by the FDA. These teas are not intended to diagnose, treat, cure, or prevent any disease. Always read product labels carefully and consult your healthcare provider with any concerns or medical conditions.

The Power of Death (1889–90)
by William Holbrook Beard (United States, 1825–1900)

In William Holbrook Beard’s painting The Power of Death, the embodiment of Death is depicted in a powerful struggle, firmly clasping the neck of a fiercely struggling tiger. Unlike typical portrayals of Death’s serene approach to claim a life, this scene mirrors the tiger’s intense turmoil. The foot of Death is triumphantly placed upon an elephant, symbolizing absolute conquest over the colossal creature. In the backdrop, the carcasses of other formidable predators lay defeated, illustrating the inevitable supremacy of Death over all, regardless of strength or ferocity.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Power of Death (1889-90)
by William Holbrook Beard (American, 1825-1900)

The figure of Death tightly grips the neck of a thrashing tiger in its arms. Images of Death calmly walking in and taking a life are common, but here Death has the same dynamic pose as the writhing tiger. Death's foot mounts an elephant, indicating its total victory over the giant beast. Other large predators are slain in the background — Death overcomes even the mightiest in the end.

Rectangle Canvas Wrap

Gallery quality canvas print displays vibrant artwork that is built to last. Printed inks that are fade resistant. Inner frame is 1.25" deep and made with radiata pine sourced from renewable forests. All canvas prints are wrapped and shipped in fitted packaging.

• Materials: cotton and polyester composite (canvas), pine wood (frame)
• Inner frame made with radiata pine sourced from renewable forests
• Leveling Bumpers Included — For wall protection
• Ready To Hang — Mounting hardware comes attached

Care instructions: If the canvas does gather any dust, you may wipe it off gently with a clean, damp cloth.

The Raven Poe Crew Socks are stitched for those who find beauty in the shadows and comfort in a well‑placed chill. A tribute to Edgar Allan Poe himself, these socks lean fully into literary gloom—perfect for pacing dimly lit corridors, pondering the unknown, or answering a quiet tap at the chamber door. Ask the raven if you should wear anything else, and he'll quoth, "nevermore."

There's a certain elegance to the macabre, and these socks capture it effortlessly. Darkly charming and richly detailed, they bring a touch of poetic melancholy to your everyday routine. Whether you're embracing your inner brooding genius or just appreciate a well‑crafted nod to classic literature, these socks offer a wearable piece of the beautifully eerie.

Crafted with comfort in mind (because even the perpetually haunted deserve soft footing), they're breathable, durable, and built to last through long nights of contemplation. The mirrored artwork ensures each step carries the full dramatic effect—no half‑hearted hauntings here.

Sock Specs

• Material: Combed Cotton/Nylon/Spandex blend for breathability, durability, and stretch
• Comfort: Double terry in heel and toe for extra cushioning
• Detail: 200N thread count for high‑resolution embroidery
• Finish: Smooth seams with no toe bumps
• Weight: 40 grams per sock
• Fit: One size fits most humans (US shoe sizes 6–13), may be snug on wider calves

Not paper‑thin. Not forgettable. Just darkly delightful.

The Respite [Le Répit] (1893–1895)
by Valère Bernard (French, 1860–1936)

Death is seated, skeletal and enormous, cradling a bat at its chest. The bat feeds. Death allows it. This is the respite — a pause in the killing, a moment of something that looks almost like tenderness, offered to a creature that lives in darkness and eats what it can find.

Valère Bernard was a Provençal painter, poet, and printmaker who worked at the intersection of Symbolism and political art. He is little known outside of France, which is a significant oversight: his engraving series Guerro (1893–1895) — the title is Provençal for "war" — is one of the most unsparing anti-war works of the 19th century, produced in the shadow of the Franco-Prussian War and in anticipation of worse to come.

The series is explicitly in the tradition of Francisco Goya's Disasters of War (1810–1820) — Goya's eighty-two etchings documenting the atrocities of the Napoleonic invasion of Spain with a directness that was too disturbing to publish in his lifetime. Bernard inherited Goya's conviction that art could bear witness to what official history preferred to obscure, and his Guerro plates share that same quality of unflinching attention.

Le Répit is the series at its most allegorical: not the battlefield itself, but what war produces and sustains — the creatures that thrive in its aftermath, the brief silences between one catastrophe and the next. The title is ironic. This is not rest. It is only the pause before it starts again.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Ritual begins with an offering of pure indulgence. This medium roast whole bean coffee is infused with the rich sweetness of white chocolate and the buttery warmth of macadamia nut, creating a brew that's wickedly smooth and irresistibly enchanting. Each sip unfolds in creamy, nutty waves, wrapping you in a comforting sweetness that feels almost ceremonial. The Brazilian beans provide a balanced, velvety foundation, allowing the dessert‑like flavors to shine without overwhelming the cup.

Crafted for those who savor a little luxury in their daily rites, The Ritual delivers a cup that's both soothing and spellbinding. Whether you're greeting the morning or conjuring a midnight moment of calm, this blend invites you to slow down, savor, and steep yourself in its delicious embrace… and let the ritual begin.

Coffee Info

Format: Whole Bean
Net Weight: 11.99 oz (340 g)
Roast Level: Medium
Bean Origin: Brazil
Flavor Profile: White Chocolate • Macadamia Nut • Sweet & Creamy
Body: Smooth, velvety, and indulgently balanced
Ideal For: Drip, pour‑over, French press, cold brew
Vibe: Luxurious, comforting, and enchantingly smooth

Wherever there are humans, there are solitary witches—independent emissaries of magick who love others but adore the companionship of the free and the wild even more. If ever you have yearned for moon-kissed mysteries, kinship with wildflowers, and ecstatic connections with Nature and her cycles, you have felt a witch’s wisdom stirring within. You may dwell deep in a forest or in an apartment within the very heart of a city. Wherever you abide, the whispers of the elements, plants, creatures, and cosmos infuse your world with fascination and freedom.

This enchanting oracle is an illuminating tapestry of insight, comfort, healing, and practical guidance for awakening your charms and senses. Together, the spark of Lucy Cavendish’s prose and Lady Viktoria’s alluring hand-painted imagery evoke profound rememberings to draw back the veil and celebrate your magickal soul. Your new journey begins… Set includes 45 cards and 180-page guidebook.

Lucy Cavendish is a Witch and writer whose works are loved and trusted worldwide. She experienced extra-sensory abilities as a child. With no answers from school or mainstream religion, Lucy set out on a personal quest to understand and develop her gifts. Today she is an exciting, enchanting voice of inspiration noted for her knowledge of sacred rites and sites, magickal history, witchcraft, folklore, alternative spiritual practices and intuitive traditions.

Lady Viktoria is a visual artist working in acrylic paint. She makes her home along the shores of Lake Simcoe in Canada. She is often found in her studio, not just painting but sharing her creative world with her children. Her artwork is inspired by her regular sojourns in nature, the mythopoetic realm, motherhood and her dreams. A thread woven throughout her work is a deep love for magic. She believes it is inherent in all of life, and through her brush, she wishes to bring magic into each and every creation.

The Souls of Acheron (1898)
by Adolf Hirémy-Hirschl (Hungarian, 1860–1933)

Adolf Hirémy-Hirschl was a Hungarian artist renowned for his historical and mythological paintings, particularly those related to ancient Rome. The Souls of Acheron, painted in 1898, is a vivid portrayal of the Greek mythological concept of the afterlife.

In this painting, Hirémy-Hirschl depicts the god Hermes, identifiable by his winged hat and dark blue robes, as he leads the recently deceased to the lower world. The scene is set on the banks of the River Acheron — known in mythology as the river of woe, one of the five rivers of the Greek underworld. The dead are shown pleading with Hermes to allow them to return to the upper world, but he ignores their cries as he strides through the bodies to meet Charon at the shore, who will ferry these souls across the river into the underworld.

Hirémy-Hirschl’s painting captures the essence of this mythology with a dramatic composition that emphasizes the contrast between the divine figure of Hermes and the despairing souls. The use of light and shadow, along with the somber color palette, evokes the emotional weight of the scene and reflects the artist’s skill in conveying narrative through visual art.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube

The Souls of Acheron (1898)
by Adolf Hirémy-Hirschl (Hungarian, 1860–1933)

The dead are everywhere — sprawled across the bank, reaching upward, pressing forward in a mass of pale limbs and open mouths. At the center of the chaos, Hermes moves through them without breaking stride. He wears his winged hat, his dark robes, his expression of complete indifference. He has done this before. He will do it again. Charon is waiting at the water's edge.

Adolf Hirémy-Hirschl was a Hungarian-born Academic painter who spent much of his career in Rome, where he developed a specialty in large-scale mythological and historical subjects rendered with the technical precision and dramatic staging of the late 19th-century Academic tradition. His work is meticulous, monumental, and deeply serious about its sources.

The Souls of Acheron depicts the moment in Greek mythology when the newly dead arrive at the banks of the Acheron — the river of woe, one of the five rivers that bounded the underworld. They cannot cross without Charon, the ferryman, who requires payment. Those who cannot pay, or whose bodies were left unburied, must wait on the near bank for a hundred years before they are allowed to cross. The souls in Hirémy-Hirschl's painting are pleading with Hermes — the psychopomp, the guide of souls — to intercede, to let them return, to do something. He does not stop walking.

The painting is enormous in the original — nearly four meters wide — and the scale is part of the point: the dead are a crowd, not individuals. Their suffering is collective and impersonal, which is exactly how Hermes treats it.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

Invoke serenity, hope, and cosmic clarity with The Star—a tranquil blend that soothes the senses and uplifts the spirit. Hand-rolled in India using vegan, organic ingredients and premium fragrance oils, these incense sticks offer a clean, long-lasting burn that transforms any space into a sanctuary.

Infused with calming lavender, this scent is known for its restorative and balancing properties. It quiets the mind, softens the edges of the day, and invites gentle renewal. Just as The Star Tarot card symbolizes healing, inspiration, and divine guidance, this fragrance encourages you to realign with your inner light.

Each pack includes 15 incense sticks and a round wooden holder etched with a celestial starburst design. Packaged in recyclable paper, it’s a thoughtful gift for dreamers, healers, and seekers of peace.

Size: 8.66" long
Includes: 15 sticks + wooden holder
Caution: Please practice caution when burning. Use a suitable incense holder and never leave lit incense unattended.

Radiate clarity, joy, and renewal with The Sun—a bright, purifying blend that clears stagnant energy and invites vitality. Hand-rolled in India using vegan, organic ingredients and premium fragrance oils, these incense sticks offer a clean, long-lasting burn that energizes your space and spirit.

Infused with white sage, a sacred botanical known for its cleansing and protective properties, this scent helps dispel negativity and restore balance. Just as The Sun Tarot card symbolizes illumination, truth, and abundance, this fragrance brings warmth and optimism to your rituals and daily life.

Each pack includes 15 incense sticks and a round wooden holder etched with a radiant starburst design. Packaged in recyclable paper, it's a luminous gift for seekers, healers, and those ready to step into their power.

Size: 8.66" long
Includes: 15 sticks + wooden holder
Caution: Please practice caution when burning. Use a suitable incense holder and never leave lit incense unattended.

The Triumphant [Triunfător] (c. 1916)
by Josef Mandl
Czech, 1874–1933

Josef Mandl was a Czech painter and professor of drawing. His style was characterized by elements of symbolism, reflecting his fascination with the mysterious and the subconscious. Mandl's paintings often conveyed emotional depth and explored the interplay between reality and imagination.

Triunfător, the enigmatic harbinger of fate, dances on the precipice between realms. Unlike the somber specter we often envision, this portrayal defies convention—a paradox in brushstrokes.

Here we see the smoldering remnants of a battlefield, where screams have dissolved into ashen air, Death is not the reaper of dread; he is the weaver of endings. Kneeling by a murky watering hole, Death immerses his skeletal hands. Beside him rests the scythe, its blade dulled by ceaseless harvest. Death cleanses it—a ritual of absolution.

Triunfător is not an omen of dread, but a sentinel of cosmic balance. His work here, seemingly done, leaves us pondering: Is he the harbinger or the harbored?

Matte Poster
• Printed with Dye/Pigment Reactive Ink on Archival Matte Paper
• Shipped in Heavy Duty Poster Tube
• Heavy weight (210 gsm), thick base, and an instant-dry coating that resists fingerprints and smudging

The Triumphant [Triunfátor] (c. 1916)
by Josef Mandl (Czech, 1874–1933)

Death is kneeling at a watering hole, washing his scythe. The battlefield smolders behind him. He is not dramatic about it. He is doing maintenance.

Josef Mandl was a Czech painter and drawing professor whose work sat at the intersection of Symbolism and the darker currents of early 20th-century Central European art. Triunfátor — the title is Czech for "the triumphant one" — was painted around 1916, in the middle of the First World War, when the idea of Death as a figure of cosmic drama had been replaced, for much of Europe, by something far more industrial and impersonal.

What Mandl gives us instead is almost domestic: a skeleton at the water's edge, scythe in hand, cleaning up after work. The blade has been used. The water is presumably not clean. There is no grandeur in the posture, no sweep of a dark cloak, no dramatic gesture toward the horizon. He is simply doing what comes next after a long day.

The title is ironic, or perhaps not — depending on how you read triumph. He has won, again, as he always does. Now he cleans his tools. Tomorrow he will use them again.

Rectangle Canvas Wrap

Gallery-quality canvas with fade-resistant inks and a 1.25" deep pine frame sourced from renewable forests. Arrives wrapped and ready to hang.

• Materials: cotton and polyester composite canvas, pine wood frame
• Inner frame: radiata pine from renewable forests
• Leveling bumpers included for wall protection
• Ready to hang — mounting hardware pre-attached

Care: Dust gently with a clean, damp cloth as needed.

The Vampire Queen [Marie Schleinzer in Bat Costume] (1896)
Photograph by Atelier Adele Studio (Austria, 1862–1905)

Austrian stage actress Marie Schleinzer in costume for the ballet Around Vienna (“Rund um Wien”), in which Schleinzer plays the allegorical force of evil. This is one of a series of photographs published in the Austrian photographic journal Photographische Correspondenz.

The photography studio was owned by Adele Perlmutter-Heilperin and her two brothers, Max and William Perlmutter, who founded Atelier Adele in 1862. Adele was the first and only female “k.u.k. Hofphotograph” of the Austro-Hungarian monarchy in Vienna and was famous for her ability to photograph women.

Matte Poster

• Printed with dye/pigment reactive inks on archival-quality matte paper
• Heavyweight 210 gsm paper with a thick, durable base
• Instant-dry coating helps resist fingerprints and smudges
• Carefully packaged and shipped in a heavy-duty protective poster tube